1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.Mayhew, Henry
General
1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.
Mayhew, Henry
Great Exhibition (1851 : London, England) -- Fiction; London (England) -- Fiction
An answer was quickly returned, entreating the young lady, in the
warmest possible language, to trust to the Frenchman’s honour and
ingenuity, promising, that if she would but faithfully follow his
directions, he would not only liberate her from her confinement on the
morrow, but ensure her boundless happiness for ever after.
Miss Chutney’s curiosity was piqued. However was it possible for the
Count to get her out of that room—much less the house—with Wewitz’s eyes
continually watching both him and her: and then she ran over several of
the best means of escape among heroines similarly situated. She thought
of secret doors and sliding panels; but in that unromantic linen-room
she felt satisfied that charming pieces of mechanism were hopeless; then
she fixed her mind for a moment on a rope; but, on looking cautiously
out of the window, she soon convinced herself that even if she could get
down one, it would be utterly impossible for him to get one up such a
height; next she turned her attention to tying Wewitz’s clean sheets
together, and descending from the attic, as she had read of young ladies
doing by means of their scarves; but, oh dear! that would never suit
her, and she would much prefer a fire-escape, if there were such a thing
handy. After this, her thoughts took a higher flight, and she dwelt for
a moment on the delightful convenience of signet-rings, and of
flinty-hearted keepers mollified by pathetic appeals, together with
pampered menials, bribed by “purses of gold;” but these were all equally
hopeless; and as she saw no other mode of escape but through the door,
the windows, or the panels, and had exhausted every possible method of
making her exit by any such means, she felt satisfied that the Count
spoke without weighing the difficulties of the task that he proposed.
However, as it was certain that there was no chance of his succeeding in
such a project, why there _could_ be no harm in just letting the poor
man have a try—besides, it would save her the unpleasantness of telling
him that she could not listen to his request.
Accordingly, after some little cogitation. Miss Chutney wrote in pencil
on the blank leaf of the Count’s note—
_“I will do as you direct;”_
and hooking it on to the line, flung it from the window.
In less than five minutes there was another delivery by the piscatorial
post, bringing instructions for the young lady as to how she was to
proceed.
For the present she was not to speak a word to a living creature, but to
feign sulkiness with everybody, and return no answer to any question
that might be put to her. Upon this the success of the whole plan
depended.
Moreover, it would aid the plot greatly if, when any one entered her
place of confinement, she appeared sitting with her face buried in her
hands, and her apron thrown over her head, as if in deep grief.
What could it all mean?
Public-domain text, read in full here on John Shaqi.
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