1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.Mayhew, Henry
General
1851; Or, The adventures of Mr. and Mrs. Sandboys and family, who came up to London to enjoy themselves, and to see the Great Exhibition.
Mayhew, Henry
Great Exhibition (1851 : London, England) -- Fiction; London (England) -- Fiction
When the tea-things had been removed, and the party had settled
themselves down for a friendly chat, Mr. and Mrs. Sandboys recounted to
the Major all the adventures they had gone through since their departure
from Buttermere; and the Major, in his turn, when he had sympathized and
laughed with them at their many troubles, ran over the several feats of
arms performed by himself and their mutual friend, the Colonel, in
India. He told them how they had gouged a diamond worth several lacs of
rupees out of the eye of one of the idols they had taken;—and the
Sandboys, on the other hand, informed him how they had been defrauded of
their season ticket for the Great Exhibition by a scoundrelly Frenchman
styling himself the Count de Sangshimmy. And thus they continued, each
narrating to the other the several scenes in which they had figured as
principal actors, till Mr. Sandboys, in summing up the long list of
mishaps he had experienced in his endeavours to get a sight of the
contents of the Great Exhibition, was irresistibly led to the conclusion
that the whole series of events was the work of a stony-hearted Fate,
and that it formed part of the records of Destiny, as kept by the
Registrar-General of Calamities-to-come, that neither he nor any member
of his family should ever set foot in the interior of the Crystal
Palace. He began to regard himself as the hero in some Greek tragedy,
which he had a faint remembrance of reading in his college days at St.
Bees. Accordingly, he communicated to his dear Aggy the resolution which
the recapitulation of his many trials had induced in his mind—namely,
that it was sheer pig-headedness on their part to attempt to swim
against the current of events, or to play the Canute of 1851, and seek
to drive back the tide in their affairs.
Public-domain text, read in full here on John Shaqi.
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