He resumed:
"Why that forgery?"
"It was my husband," she stammered, "it was my husband who did it. With
his fortune, he could do everything; and he bribed a junior clerk to
have the Christian name of the second child altered for him on the
register."
"The Christian name and the sex," said Lupin.
"Yes," she said.
"Then," he continued, "I am not mistaken: the original Christian name,
the real one, was Dolores?"
"Yes."
"But why did your husband . . . ?"
She whispered in a shame-faced manner, while the tears streamed down her
cheeks.
"Don't you understand?"
"No."
"But think," she said, shuddering, "I was the sister of Isilda, the mad
woman, the sister of Altenheim, the ruffian. My husband--or rather my
affianced husband--would not have me remain that. He loved me. I loved
him too, and I consented. He suppressed Dolores de Malreich on the
register, he bought me other papers, another personality, another
birth-certificate; and I was married in Holland under another maiden
name, as Dolores Amonti."
Lupin reflected for a moment and said, thoughtfully:
"Yes . . . yes . . . I understand. . . . But then Louis de Malreich does
not exist; and the murderer of your husband, the murderer of your
brother and sister, does not bear that name. . . . His name. . . ."
She sprang to a sitting posture and, eagerly:
"His name! Yes, that is his name . . . yes, it is his name nevertheless.
. . . Louis de Malreich. . . . L. M. . . . Remember. . . . Oh, do not
try to find out . . . it is the terrible secret. . . . Besides, what
does it matter? . . . They have the criminal. . . . He is the criminal.
. . . I tell you he is. Did he defend himself when I accused him, face
to face? Could he defend himself, under that name or any other? It is he
. . . it is he . . . He committed the murders. . . . He struck the
blows. . . . The dagger. . . . The steel dagger. . . . Oh, if I could
only tell all I know! . . . Louis de Malreich. . . . If I could only
. . ."
She fell back on the sofa in a fit of hysterical sobbing; and her hand
clutched Lupin's and he heard her stammering, amid inarticulate words:
"Protect me . . . protect me. . . . You alone, perhaps. . . . Oh, do not
forsake me. . . . I am so unhappy! . . . Oh, what torture . . . what
torture! . . . It is hell! . . ."
With his free hand, he stroked her hair and forehead with infinite
gentleness; and, under his caress, she gradually relaxed her tense
nerves and became calmer and quieter.
Then he looked at her again and long, long asked himself what there
could be behind that fair, white brow, what secret was ravaging that
mysterious soul. She also was afraid. But of whom? Against whom was she
imploring him to protect her?
Once again, he was obsessed by the image of the man in black, by that
Louis de Malreich, the sinister and incomprehensible enemy, whose
attacks he had to ward off without knowing whence they came or even if
they were taking place.
Public-domain text, read in full here on John Shaqi.
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