What I may conclude to do in the future it is hard to say, and if I return again to my first love, base-ball, it will not be as a player, but wherever I may be or whatever I may do I shall still strive to merit the approval and good will of my friends--God bless them! THE END. AMOS RUSIE'S PITCHING. Amos Rusie, who, for several years has probably come nearer being the premier pitcher of the country than any other man, gives some ideas of pitching to the New York Evening Journal. He says: "In delivering a straight, swift ball, when my object is to obtain the utmost speed at my command and to cut the plate, so that an umpire can have no doubt as to its being 'over,' I grasp the ball firmly with the two first fingers, with the thumb not clutching the ball too tightly. It is not my intention to twist or curve the ball at those times, but to catch the batter napping or else to prevent him from 'walking' to first. I take one long preliminary swing to prepare the shoulder muscles for the coming strain, and with my right foot firmly braced on the slab, I lurch forward with a high, straight throw, the weight of my body adding impetus to the ball. "A slow ball when mixed up with great speed, is most effective if the change of pace is so disguised as to fool the batter. It does not do to telegraph your intentions or the ball will go soaring over the bleachers--from off the old 'wagon tongue.' Exactly the same preliminary motions should be gone through with as if to send in your swiftest ball. For this delivery I hold the ball loosely in my hand, holding it with my thumb and little finger. The ball will at times almost seem to hang in the air, and the batter, who is looking for a singing swift one, makes a vicious swipe before the ball gets to him. The change of pace is used mostly when a batter has two strikes and is worked up to the anxious pitch. Nothing pleases a pitcher more than to fool a batter with his 'slows.' "To give an outcurve to the ball I take the same grip with the first two fingers as for the straight ball. The thumb, however, with which the twist which causes the ball to curve is given, is brought up in touch with the ball with a tight grip. Then, with a long, slow preliminary swing I give a slight side motion to my hand with a decided snap to the wrist just at the instant the ball leaves my hand. I endeavor, of course, to hide my right hand as much as possible from the batter, and go through exactly the same motions as for a straight ball. I can get just as much speed with my curve as my straight, which in consequence, has proved my most successful ball.