(11) Close your eyes, (_a_) Let an experimenter draw a blunt-pointed
pencil _at an even rate_ along the inside of your arm from the shoulder
to the tip of the middle finger. The point seems to travel more quickly
at some places than at others: why? Draw a diagram of the arm, and mark
the places of apparent slowing and quickening. (_b_) Tie two pencils
together with a bit of rubber between, so that the points are 1-1/4 to
1-1/2 in. apart. Let an experimenter set the two points crosswise on
the skin at the shoulder, and draw them with even speed and pressure
along the inside of your arm to the finger-tips. The points seem to
converge and diverge: why? Draw a diagram as before.
(12) If a rough thread is drawn by an experimenter between your
forefinger and thumb, at first quickly and then slowly, it will seem
shorter in the first experiment than in the second. Why?
References
J. M. Charcot, Clinical Lectures on Diseases of the Nervous System,
iii., 1889, Lect. xiii.; W. James, Principles of Psychology, 1890,
i., chs. xiii., xv.; ii., chs. xviii., xix., xx.; C. H. H. Parry, The
Evolution of the Art of Music, 1896; article on Optical Illusions,
in Dictionary of Philosophy and Psychology, ii., 1902; W. Wundt,
Lectures on Human and Animal Psychology, 1896, Lect. xi.; Outlines of
Psychology, 1907, §§ 9, 10, 11; M. R. Fernald, The Diagnosis of Mental
Imagery, 1912; E. B. Titchener, Experimental Psychology, I., i. and
ii., 1901 (experiments on perception); Text-book of Psychology, 1910,
303 ff.
CHAPTER VI
ASSOCIATION
Here is a kind of attraction which in the mental world will be found
to have as extraordinary effects as in the natural, and to show itself
in as many and as various forms.—DAVID HUME
Public-domain text, read in full here on John Shaqi.
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