In no less than three ways, therefore, has æsthetics proved itself to
be of practical importance. It has been useful in courtship; it has
been useful as enhancing the impressiveness of religious ceremonies;
it is still eminently useful as the play of adults. _Curiosity and
empathy have both entered into it_; curiosity in the manipulation
of shells and feathers, of brush and cutting edge; empathy in the
affairs of courtship and worship. Further than this we can hardly go.
The psychological essence of tragedy, in Hamlet or Antigone, and the
psychological essence of comedy, in Dogberry and Verges, still escape
us; there are many theories, but no one of them is convincing.
It seems, also, that _there is no specific religious tendency or
instinct_. Religion has been ascribed to fear, to an instinct of
dependence, to an instinctive recognition of the infinite, and so on;
but modern writers agree that it cannot derive from a single source.
“Religion,” says Professor Leuba, “is rooted in instinctive impulses
and in instincts,—in fear, acquisitiveness, pugnacity, curiosity,
love, etc. But the relation that instinct bears to religion is no other
than that obtaining between instinct and commerce or any complex social
activity.” Religion, like art, has a strong practical sanction; the
worshipper expects to control the forces of nature, and to secure the
action of gods and spirits upon human minds and bodies; while religion
itself satisfies the desire for power and for social recognition,
quickens intelligence, and regulates and unifies the community. We
understand something of the growth of religious ideas, as we know
something of the development of art; but the contents of a religious
system, and the products of artistic construction, do not take us far
towards the explication of human tendencies.
In a word, then, the problem which we have here formulated is too
difficult for solution now or in the near future. We cannot ‘get
behind’ the masterpiece, the achievement of civilisation; the
conditions are too complex. We cannot draw any certain conclusion
from the study of origins; for primitive man, as we know him, is very
like ourselves, both in convention and in reasoning; Professor Boas
finds no evidence that “hereditary mental faculty has been improved by
civilisation”; the savage may be untutored, but he is as complicatedly
human as the best of us. We can say, negatively, that _neither the
situations which are met by sentiment nor the tendencies to which
these situations appeal are unique_; and that is, in itself, something
gained. No genuine problem is insoluble; and further work, partly
along the older lines and partly perhaps by new methods which bear
directly upon man’s instinctive tendencies, will some day answer the
questions raised in these paragraphs.
Public-domain text, read in full here on John Shaqi.
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