Bicycle touring -- Fiction; Man-woman relationships -- Fiction; Young men -- Fiction
This house was the abode of intelligence, cultivated taste, and
opulence. It was probably the finest mansion of the town. In every
room there were things to see, and after supper we looked at them,
and, as I wandered from pictures to vases and carved ivory, the
remarks of the two elder ladies and Miss Willoughby seemed like a
harmonized chorus accompanying the rest of the performance. Each spoke
at the right time, each in her turn said the thing she ought to say.
It was a rare exhibition of hospitable enthusiasm, tempered by
sympathetic consideration for me and for each other.
I soon discovered that many of the water-color drawings on the walls
were the work of Miss Willoughby, and when she saw I was interested in
them she produced a portfolio of her sketches. I liked her coloring
very much. It was sometimes better than her drawing. It was dainty,
delicate, and suggestive. One picture attracted me the moment my eyes
fell upon it; it was one of the most carefully executed, and it
represented the Holly Sprig Inn.
"You recognize that!" said Miss Willoughby, evidently pleased. "You
see that light-colored spot in the portico? That's Mrs. Chester; she
stood there when I was making the drawing. It is nothing but two or
three little dabs, but that is the way she looked at a distance.
Around on this side is the corner of the yard where the bear tried to
eat up the tire of your bicycle."
I gazed and gazed at the little light-colored spot in the portico. I
gave it form, light, feeling. I could see perfect features, blue
eyes which looked out at me, a form of simple grace.
[Illustration: "'I HELD THAT PICTURE A GOOD WHILE'"]
I held that picture a good while, saying little, and scarcely
listening to Miss Willoughby's words. At last I felt obliged to
replace it in the portfolio. If the artist had been a poor girl, I
would have offered to buy it; if I had known her better, I would have
asked her to give it to me; but I could do nothing but put it back.
Glancing at the clock I saw that it was time for me to go, but when I
announced this fact the ladies very much demurred. Why should I go to
that uncomfortable hotel? They would send for my baggage. There was
not the least reason in the world why I should spend the night in that
second-rate establishment.
"See," said Mrs. Willoughby, opening the door of a room in the rear of
the parlor, "if you will stay with us to-night we will lodge you in
the chamber of the favored guest. All the pictures on the walls were
done by my daughter."
I looked into the room. It was the most charming and luxurious bedroom
I had ever seen. It was lighted, and the harmony of its furnishings
was a treat to the eye.
Public-domain text, read in full here on John Shaqi.
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