A Body of Divinity, Vol. 4 (of 4): Wherein the doctrines of the Christian religion are explained and defended, being the substance of several lectures on the Assembly's Larger CatechismRidgley, Thomas
Religion
A Body of Divinity, Vol. 4 (of 4): Wherein the doctrines of the Christian religion are explained and defended, being the substance of several lectures on the Assembly's Larger Catechism
at first given to us, is no more to be read, than to be sung by us[25].
As to what is objected concerning the inexpediency of our making use of
those words, and applying them to our case, in our devotions, that David
used in his, with a peculiar view to his own condition. What has been
said under the fourth head, relating to the frame of spirit with which
the psalms are to be sung, will very much weaken the force of it; and
this is what, in a great measure, determines my sentiments as to the
ordinance of conjoint singing, as well as the matter of it; for, I am
well persuaded, that if the words were to be considered as our own, (as
they ought to be, when joining with another, who is our mouth, to God in
prayer,) there are very few psalms, or hymns of human composure, that
can be sung by a mixed assembly. But as a divine veneration ought to be
paid to the psalms, and they are to be read with those acts of faith
which are the main ingredients in our devotions; we are to sing them
with the same view, only with this difference; as making use of the tone
of the voice, as a farther help to the raising our affections therein,
as has been before observed.
The next thing to be considered is, what version of the Psalms is to
have the preference in our esteem, as it is subservient to the design of
this ordinance. It is not my business, under this head, to criticise on
the various versions of the Psalms; nor can it be supposed, that I have
a regard to those poetical beauties in which one version exceeds
another; for then I should be inclined to think some of them, which I do
not make use of in the ordinance of singing, much preferable to others,
for the exactness of their style and composure. But when I am singing
the praises of God, in, or as near as I can to, the words of David, or
any other inspired writer; that which I principally regard is, the
agreeableness of the version to the original; and then they may be sung
with the same frame of spirit with which they are to be read; and I am
not obliged in singing, to consider the words as expressive of my own
frame of spirit, any more than I am in reading them. But if the
composure cannot properly be called a version, but an imitation of
David’s Psalms, then I make use of it in the ordinance of singing, with
the same view as I would an hymn; of which, more hereafter[26].
The versions which, I think, come nearest to the original, are the
New-England and the Scots; the latter of which, I think, much preferable
to the former; inasmuch as the sentences are not so transposed in this,
as in the other, and the lines are much more smooth and pleasant to be
read. I should be very glad to see a version more perfect, that comes as
near the sense of the original, and excels it in the beauty or elegancy
of style. And it would be a very great advantage if some marginal notes
were added, as a comment upon it; which would be a help to our right
understanding thereof.
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