So alive are lawyers to the frightful consequences of a wholesale
exhibition of melodious irritants, that a natural love of order and
desire for self-preservation has prompted them to raise numerous
obstructions to the free development of musical science in their
peculiar localities of town. In the Inns of Court and Chancery Lane
professional etiquette forbids barristers and solicitors to play upon
organs, harmoniums, pianos, violins, or other stringed instruments,
drums, trumpets, cymbals, shawms, bassoons, triangles, castanets or any
other bony devices for the production of noise, flageolets, hautboys, or
any other sort of boys--between the hours of 9 A.M. and 6 P.M. And this
rule of etiquette is supported by various special conditions introduced
into the leases by which the tenants hold much of the local house
property. Under some landlords, a tenant forfeits his lease if he
indulges in any pursuit that causes annoyance to his immediate
neighbors; under others, every occupant of a set of chambers binds
himself not to play any musical instrument therein, save between the
hours of 9 A.M. and 12 P.M.; and in more than one clump of chambers,
situated within a stone's throw from Chancery Lane, glee-singing is not
permitted at any period of the four-and-twenty hours.
That the pursuit of harmony is a dangerous pastime for young lawyers
cannot be questioned, although a long list might be given of cases where
musical barristers have gained the confidence of many clients, and
eventually raised themselves to the bench. A piano is a treacherous
companion for the student who can touch, it deftly--dangerous as an idle
friend, whose wit is ever brilliant; fascinating as a beautiful woman,
whose smile is always fresh; deceptive as the drug which seems to
invigorate, whilst in reality it is stealing away the intellectual
powers. Every persevering worker knows how large a portion of his hard
work has been done 'against the grain,' and in spite of strong
inclinations to indolence--in hours when pleasant voices could have
seduced him from duty, and any plausible excuse for indulgence would
have been promptly accepted. In the piano these pleasant voices are
constantly present, and it can always show good reason--why reluctant
industry should relax its exertions.
CHAPTER XXVI.
THE BATTLE OF THE ORGANS.
Public-domain text, read in full here on John Shaqi.
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