The wit and accomplishments of the younger lawyers were signally displayed in the dramatic interludes that usually enlivened these somewhat heavy and sluggish jollifications. Not only did they write the pieces, and put them before the audience with cunning devices for the production of scenic effect, but they were their own actors. It was not long before their 'moralities' were seasoned with political sentiments and allusions to public affairs. For instance, when Wolsey was in the fulness of his power, Sergeant Roo ventured to satirize the Cardinal in a masque with which Gray's Inn entertained Henry VIII. and his courtiers. Hall records that, "This plaie was so set furth with riche and costlie apparel; with strange diuises of maskes and morrishes, that it was highly praised of all menne saving the Cardinall, whiche imagined that the plaie had been deuised of him, and in greate furie sent for the said Maister Roo, and toke from hym his coife, and sent him to the Flete, and after he sent for the yoong gentlemen that plaied in the plaie, and them highly rebuked and threatened, and sent one of them, called Thomas Moyle, of Kent, to the Flete; but by means of friendes Master Roo and he wer deliuered at last." The author stoutly denied that he intended to satirize the Cardinal; and the chronicler, believing the sergeant's assertions, observes, "This plaie sore displeased the Cardinal, and yet it was never meant to him." That the presentation of plays was a usual feature of the festivals at Gray's Inn may be inferred from the passage where Dugdale, in his notes on that society, says;--"In 4 Edw. VI. (17 Nov.), it was also ordered that henceforth there should be no comedies called _Interludes_ in this House out of Term time, but when the feast of the Nativity of our Lord is solemnly observed. And that when there shall be any such comedies, then all the society at that time in commons to bear the charge of the apparel." Notwithstanding her anxiety for the maintenance of good discipline in the Inns of Court, Queen Elizabeth encouraged the Societies to celebrate their feasts with costliness and liberal hospitality, and her taste for dramatic entertainments increased the splendor and frequency of theatrical diversions amongst the lawyers. Christopher Hatton's name is connected with the history of the English drama, by the acts which he contributed to 'The Tragedie of Tancred and Gismunda, compiled by the gentlemen of the Inner Temple, and by them presented before her majestie;' and he was one of the chief actors in that ponderous and extravagant mummery with which the Inner Temple kept Christmas in the fourth year of Elizabeth's reign. The circumstances of that festival merit special notice.