Dreiser, Theodore, 1871-1945; Journalists -- United States -- Biography; Novelists, American -- 20th century -- Biography
Again, there were the Chinese Free Masons, a society so old and so
powerful and so mysterious that one might speak of it only in whispers
for fear of getting into trouble. This indeed was _the_ great
organization of the world, in China and everywhere else. Kings and
potentates knew of it and trembled before its power. If it wished it
could sweep the Chinese Emperor and all European monarchs off their
thrones tomorrow. There were rites, mysteries, sanctuaries within
sanctuaries in this great organization. He himself was as yet a mere
outsider, snooping about, but by degrees, slowly and surely, as I was
given to understand, was worming its secrets out of these Chinese
restaurant-keepers and laundrymen, its deepest mysteries, whereby he
hoped to profit in this way: he was going to study Chinese, then go to
China. There he would get into this marvelous organization through the
influence of some of his Chinese friends here. Then he was going to get
next to some of the officials of the Chinese Government, and being thus
highly recommended and thought of would come back here eventually as an
official Chinese interpreter, attached perhaps to the Chinese Legation
at Washington. How he was to profit so vastly by this I could not see,
but he seemed to think that he would.
Again, there was his literary world which he was always dreaming about
and slaving over, his art ambitions, into which I was now by degrees
permitted to look. He was forging ahead in that realm, and since I was
doing fairly well as a daily scribbler it might be that I would be able
to perceive a little of all he was hoping to do. His great dream or
scheme was to study the underworld life of St. Louis at first hand,
those horrible, grisly, waterfront saloons and lowest tenderloin dives
and brothels south of Market and east of Eighth where, listening to the
patois of thieves and pimps and lechers and drug-fiends and murderers
and outlaws generally, he was to extract from them, aside from their
stories, some bizarre originality of phrase and scene that was to stand
him in good stead in the composition of his tales. Just now, so he told
me, he was content with making notes, jotting down scraps of
conversation heard at bars, in sloppy urinals, cheap dance-halls, and I
know not what. With a little more time and a little more of that slowly
arriving sanity which comes to most of us eventually, I am inclined to
think that he might have made something out of all this; he was so much
in earnest, so patient; only, as I saw it, he was filled with an almost
impossible idealism and romance which threw nearly everything out of
proportion. He naturally inclined to the arabesque and the grotesque,
but in no balanced way. His dreams were too wild, his mood at nearly all
times too utterly romantic, his deductions far beyond what a sane
contemplation of the facts warranted.
Public-domain text, read in full here on John Shaqi.
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