Dreiser, Theodore, 1871-1945; Journalists -- United States -- Biography; Novelists, American -- 20th century -- Biography
The only thing that consoled me, however, as I rode toward St. Louis and
tried to piece the details of his crime together, was that if I had
failed to make it impossible for Galvin to get the story at all, still,
when it came to the narration of it, I should unquestionably write a
better story, for he would have to tell his story to some one else,
while I should be able to write my own, putting in such touches as I
chose. Only one detail remained to be arranged for, and that was the
matter of a picture. Why neither Wandell nor myself, nor the editor of
the _Globe_, had thought to include an artist on this expedition was
more a fault of the time than anything else, illustrations for news
stories being by no means as numerous as they are today, and the
peripatetic photographer having not yet been invented. As we neared St.
Louis Galvin began to see the import of this very clearly, and suddenly
began to comment on it, saying he “guessed” we’d have to send to the
Four Courts afterward and have one made. Suddenly his eyes filled with a
shrewd cunning, and he turned to me and said:
“How would it be, old man, if we took him up to the _Globe_ office and
let the boys make a picture of him—your friends, Wood and McCord? Then
both of us could get one right away. I’d say take him to the _Republic_,
only the _Globe_ is so much nearer, and we have that new flashlight
machine, you know” (which was true, the _Republic_ being very poorly
equipped in this respect). He added a friendly aside to the effect that
of course this depended on whether the prisoner and the officers in
charge were willing.
“Not on your life,” I replied suspiciously and resentfully, “not to the
_Globe_, anyhow. If you want to bring him down to the _Republic_, all
right; we’ll have them make pictures and you can have one.”
“But why not the _Globe_?” he went on. “Wood and McCord are your friends
more’n they are mine. Think of the difference in the distance. We want
to save time, don’t we? Here it is nearly six-thirty, and by the time we
get down there and have a picture taken and I get back to the office
it’ll be half past seven or eight. It’s all right for you, I suppose,
because you can write faster, but look at me. I’d just as lief go down
there as not, but what’s the difference? Besides, the _Globe’s_ got a
much better plant, and you know it. Either Wood or McCord’ll make a fine
picture, and when we explain to ’em how it is you’ll be sure to get one,
the same as us—just the same picture. Ain’t that all right?”
Public-domain text, read in full here on John Shaqi.
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