Drama -- History and criticism; Theater; Theater -- History
But altho the minstrels may have taken over this effective trick from
the circus, with which some of the earlier performers had had intimate
relations, the trick itself is of remote antiquity. The side-splitting
colloquy of the End-man with the Middleman may be exactly like the
interchange of merry jests between the clown and the ring-master, yet it
is far older than the modern circus. It existed in Paris, for example,
in the sixteenth century, when the quack doctor was accompanied by his
jack-pudding. Many of the dialogs heard on the Pont-Neuf between Mondor
and Tabarin have been preserved, and the method is precisely that of the
dialogs between ring-master and clown, Interlocutor and End-man, even to
the persistent repetition of the question which contains the catch.
"Master," Tabarin would begin, "can you tell me which is the more
generous, a man or a woman?" And the quack doctor would solemnly reply:
"Ah, Tabarin, that is a question which has been greatly debated by the
philosophers of antiquity, and they have been unable to decide which is
truly the more generous, a man or a woman." Then Tabarin would briskly
retort: "Never mind the old philosophers. I can tell you." And with
great contempt the ponderous quack doctor would return: "What, Tabarin,
do you mean to say that you can tell us which is the more generous, a
man or a woman." Tabarin promptly responded that he could. "Then," asked
Mondor, "pray do so. Which is the more generous, a man or a woman?" And
thereupon, to the great disgust of Mondor, Tabarin would proffer his
ribald explanation. Unfortunately the explanation he gave is frankly too
ribald to be given here, for nowadays we are more squeamish than the
idlers who gathered around the quack doctor's platform in Paris three or
four centuries ago. The dialogs of Mondor and Tabarin were brief enough,
but they often made up for their brevity in their breadth.
Public-domain text, read in full here on John Shaqi.
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