Drama -- History and criticism; Theater; Theater -- History
Jefferson, one may venture to assert, would not have been surprised if
he had learned that an American university professor of dramatic
literature, whenever he came to discuss the lyrical-burlesques of
Aristophanes, was in the habit of sending his whole class to Weber and
Fields that his students might see for themselves the nearest modern
analog to the robust fantasies of the great Greek humorist. Aristophanes
was a many-sided genius; as a lyric poet of ethereal elevation he must
be set by the side of Shelley; as a keen satirist of contemporary fads
and foibles he must be compared with Rabelais; and as a fun-maker pure
and simple, as a comic playwright, willing and able to evoke unexpected
laughter by ludicrous antics, he reveals an undeniable likeness to the
adroit devisers of the hodgepodge of humorous episodes represented with
contagious humor by Weber and Fields. And the heterogeneous pieces which
used to be produced by the two performers who devote themselves to the
dislocation of the English language were outgrowths of the variety-show,
from which, indeed, the two performers themselves were graduates.
It is this aspect of the variety-show, its supplying of opportunities
for artistic development to ambitious performers, and its own
spontaneous generation of dramatic forms capable of being lifted into
literature--it is this aspect of the variety-show which would be
emphasized by any competent writer undertaking to narrate its long and
involved history. That no one has yet written a history of the
variety-show is as surprising as that no one has yet written a history
of negro-minstrelsy. The materials for such a book are accessible and
abundant, since there are already richly documented accounts of the
fairs of Paris and of London, in which the variety-show flourished
centuries ago. There are accounts of the English concert-halls as they
now exist and of the French _café-concerts_. The historian will also be
aided by the various treatises on the ballet, and on the circus, and on
the puppet-show, with all of which forms of entertainment the
variety-show has always had intimate relations.
Public-domain text, read in full here on John Shaqi.
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