Drama -- History and criticism; Theater; Theater -- History
If a performance by puppets deprived 'Salome' of its vulgar grossness by
removing it outside the arena of humanity, so to speak, and by
relegating it to an unreal world beyond the strict diocese of the
conscience, so a performance by puppets of a passion-play or of any
other drama in which the Deity has perforce to appear as a character, is
thereby relieved of any tincture of irreverence. We no longer see a
divine being interpreted by a human being. We cannot help feeling that
all the persons in the play, whether they dwell in heaven or on earth,
are equally remote from our common humanity. And therefore we need not
be surprised when we discover that the marionette has long been allowed
to appear in religious drama. Indeed, it appears probable that the very
name _marionette_ is directly derived from the name of the Virgin.
Very early in the history of the Christian Church were the puppets
permitted to perform passion-plays and little dramas derived from the
stories contained both in the New and the Old Testaments. In England
under Elizabeth and James religious puppet-shows of this kind went
wandering about the kingdom, taking into the smallest villages an
entertainment which would afford to the rural inhabitants the same kind
of pleasant instruction which the dwellers in the larger towns had in
the more elaborate and long-drawn mysteries performed by the
trade-guilds on the Corpus Christi day. That masterly rogue Autolycus in
the 'Winter's Tale' tells us that in his time he had been on the road
with "a motion of the Prodigal Son"--and a _motion_ was the Elizabethan
term for a marionette-exhibition. In like manner one of the characters
in Ben Jonson's 'Every Man out of His Humor' speaks of "a new motion of
the city of Nineveh, with Jonas and the whale." Of course, the puppet
performers, like the grown-up actors, did not long confine themselves to
sacred themes; they ventured also into contemporary history. A puppet
showman who appears in Ben Jonson's 'Bartholomew Fair' tells us that a
certain motion setting forth the mysterious Gunpowder Plot, was "a
get-penny."
Public-domain text, read in full here on John Shaqi.
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