A Book for a Rainy Day; or, Recollections of the Events of the Years 1766-1833Smith, John Thomas
History
A Book for a Rainy Day; or, Recollections of the Events of the Years 1766-1833
Smith, John Thomas
Great Britain -- Social life and customs -- 18th century; Great Britain -- Social life and customs -- 19th century
Being disappointed in a sight of the burial, I applied to my friend, the
Rev. Thomas Rackett, one of Mrs. Garrick’s executors, for a list of those
persons who attended the funeral.
IN THE FIRST COACH.
Christopher Philip Garrick, and Nathan Egerton Garrick,
great-nephews of David Garrick; the Rev. Thomas Rackett, and
George Frederick Beltz, Esq., Lancaster Herald, Executors of
Mrs. Garrick’s will.
IN THE SECOND COACH.
Thomas Carr, Esq., Mrs. Garrick’s solicitor; and Mrs. Carr.
IN THE THIRD COACH.
Mr. James Deane, Agent to Mr. Carr, frequently employed by
Mrs. Garrick; Mr. Freeman, of Spring Gardens, Mrs. Garrick’s
apothecary.
THOMAS RACKETT.[378]
_December 4th, 1827._
[Illustration: THE GARRICKS
“The fops that join to cry you down
Would give their ears to get her.”
_Edward Moore on Garrick’s Marriage_]
As Mr. Garrick was married by his friend, the celebrated Dr.
Francklin,[379] who at that time had a chapel in Great Queen Street, I
was anxious to ascertain whether the ceremony took place there or at
the parish church. I therefore applied to my friend, the Rev. Charles
M’Carthy, who favoured me with the following certificate:--
June 22, 1749. David Garrick, of St. Paul, Covent Garden; and
Eva Maria Violetti, of St. James’s, Westminster.
T. FRANKLIN.
C. M’CARTHY, Curate and Reg.[380]
1823.
In 1822, to the disgrace of the Antwerp picture collectors,
notwithstanding their professed zeal for the protection of high works
of art, they allowed the most precious gem, their boasted corner-stone,
to be carried away from their city. However, to the great honour of Mr.
Smith, the picture-dealer, it was secured for England.
This corner-stone, which had been coveted by most of the amateurs in
the world, was no less a treasure than the picture known under the
appellation of the “Chapeau de Paille,”[381] by Rubens, which had been
in the Lunden’s, and then the Steir’s family, from the time it was sold
after the painter’s death, to the 29th of July, 1822, the day on which it
was brought to auction for the benefit of the last possessor’s family.
Public-domain text, read in full here on John Shaqi.
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