“QUEEN STREET, MAYFAIR, “_Dec. 22, 1828_. “MY DEAR SIR,--Shortly after my return from Rome, in 1798, I espied a bust in Rosso Antico, lying under a counter at a broker’s shop, in Great Portland Street. I recognised its antiquity; it was _a Faun_, large as life, in the best style of art. I bought it for the trifling sum of £1. I had it in my study many months. During this period, I often assisted Nollekens in the architectural department of his monuments, receiving no thanks; but an invitation one day, as we talked Italian together. On accidentally mentioning my antique Faun, he came to see it, and was so struck with its beauty, that he would never rest till he got it out of my hands. He succeeded, by offering me some models of his own, and ten pounds. Wishing to oblige him, I let him have the bust, and he sent me two miserable models not much higher than my thumb, of a Bacchus and Ariadne, since broken to pieces. “This bust was in the collection at his sale, and it was knocked down by Christie to the Duke of Newcastle for a hundred and sixty pounds. “With great respect, ever yours truly, “CHARLES HEATHCOTE TATHAM.”[419] The following letter is curious:-- “In the winter of 1815, making a tour of the Netherlands, I was in Bruges when the well-known statue, or rather group, of the ‘Virgin and Child,’ by Michael Angelo Buonarotti, which had been carried from the church of Notre Dame to Paris, was restored, in a packing-case, to that church. On this occasion a procession of the priests and officers of the church, and of some of the municipal officers, took place; and a Mass was celebrated. About a month afterwards, I was again in Bruges, and saw this fine work of art replaced in its former situation, on the altar of one of the small chapels. It is, indeed, a wonderful work. “I was about the same period in Antwerp, and was present when the pictures which had been taken to Paris, arrived in carriages, and were escorted into the city by an English regiment, then in garrison there (either the 15th or 25th of infantry), preceded by the band of that regiment playing ‘God save the King,’ and accompanied by the members of the Academy of Antwerp, and the magistracy of the city. I own I felt all the pride of an Englishman at seeing these works of art, which British valour had regained, thus restored to the places from whence they had been pillaged. “STEPHEN PORTER.[420] “TEMPLE, _Feb. 5, 1828_.”