A Book for a Rainy Day; or, Recollections of the Events of the Years 1766-1833Smith, John Thomas
History
A Book for a Rainy Day; or, Recollections of the Events of the Years 1766-1833
Smith, John Thomas
Great Britain -- Social life and customs -- 18th century; Great Britain -- Social life and customs -- 19th century
As we were tacking about, the wind standing fair to drop the lady at
Vauxhall-stairs, our old weathergage, the waterman, who reminded me
of Copper Holmes, thus addressed a lopped Chelsea Pensioner:--“I say,
old Granby,[467] people say that he who loves fighting is much more
the sexton’s friend than his own.” “Ay, Master Smelter,” answered the
corporal, “we are all alive here, and, like the Greenwich boys, willing
to fight again; Old England for ever!”
I then requested the waterman to put me on shore, in order to visit
Chelsea College, purposely to see what had been done with my friend
Ward’s allegorical picture of the Triumph of the Duke of Wellington. The
Right Hon. Noblemen and Gentlemen, Governors of the British Institution,
wishing to perpetuate the memory of the noble victory on the plains
of Waterloo, they, with their accustomed liberality to the fine arts,
commissioned James Ward, Esq., R.A., to paint an allegorical picture
worthy a place in the Hall of that glorious establishment, Chelsea
Hospital. Having heard that Mr. Ward’s picture had been hung up, I went
thither, but, to my utter astonishment, found it not only suspended
without a frame (just as a showman in a fair would put out his large
canvas to display “the true and lively portraiture” of a giant, the
Pig-faced Lady, or the Fire-eater), but with its lower part projecting
over a gallery, just like the lid of a kitchen salt-box; so that the
upper and greater half, being on an inclined plane, had copiously
received the dust, and doubtless, if it be allowed to accumulate,
the Duke’s scarlet coat will undergo a brick-dust change, and his
cream-coloured horses become the dirtiest of all the drabs.
If this picture be considered worth preserving, why expose it so
shamefully to injury by suffering it to hang as it does? If, on the
contrary, why not at once consign it to the waters of oblivion, by
casting it into Chelsea Reach? Mr. Ward’s superior talents have been in
numerous instances acknowledged by some of the best judges.
Descending Villiers Street on one of my peregrination mornings, a
tremendous storm obliged me to request shelter of Mrs. Scott, the wife
of the present keeper of York Terrace, and successor of Hugh Hewson,
a man who declared himself to be the genuine character famed by Dr.
Smollett in _The Adventures of Roderick Random_, under the appellation of
Hugh Strap.[468] Here I met with a young man whose father had attended
Hewson’s funeral, who informed me that Hugh had been frequently known
to amuse the ambulators of that walk by recapitulating the enterprising
events which had taken place during his travels with the Doctor. Hugh,
who had for years followed the trade of a hairdresser, was buried in St.
Martin’s-in-the-Fields, and his funeral was attended by three generations.
Public-domain text, read in full here on John Shaqi.
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