A Book for a Rainy Day; or, Recollections of the Events of the Years 1766-1833Smith, John Thomas
History
A Book for a Rainy Day; or, Recollections of the Events of the Years 1766-1833
Smith, John Thomas
Great Britain -- Social life and customs -- 18th century; Great Britain -- Social life and customs -- 19th century
[302] Black Boy Alley was notorious in the eighteenth century, and
at one time was infested by a gang who drowned their victims in the
Fleet River. No fewer than twenty-one were executed at once, after
which the humour of the neighbourhood called the place Jack Ketch’s
Common. In 1802, and earlier, Black Boy Alley was the scene of a
weekly display of badger-baiting.
[303] In the eighteenth century, Epping sent butter and sausages to
the London market, but the industry declined long ago.
[304] Pie Corner was at the Smithfield end of Giltspur Street,
a short distance north from the Old Bailey. “A very fine dirty
place,” is D’Urfey’s description of this spot, where the Great Fire
of London ended. It was long famous for its greasy cook-shops.
[305] In his _Nollekens_ Smith puts the same jibe into the mouth of
John Hamilton Mortimer, the painter. “Mortimer made Dr. Arne, who
had a very red face with staring eyes, furiously angry by telling
him that his eyes looked ‘like two oysters just opened for sauce
put upon an oval side-dish of beet-root.’”
[306] Peter Coxe, an auctioneer, and the author of a poem in
four cantos called “The Social Day,” published in 1823. He wrote
also “The Exposé, or Napoleon Buonaparte unmasked in a Condensed
Statement of his Career and Atrocities” (1809). His emollient
has escaped my search. Coxe was one of a long line of well-known
men who lived in the middle one of the three houses into which
Schomberg House, Pall Mall, was divided. He died in 1844.
[307] This generous woman, better known under the lawful title
of Lady Hamilton, when I showed her my etching of the funeral
procession of her husband’s friend, the immortal Nelson, fainted
and fell into my arms; and, believe me, reader, her mouth was equal
to any production of Greek sculpture I have yet seen (S.).--Smith’s
etching was entitled, “An Accurate View (drawn and etched by J. T.
Smith, Engraver of the _Antiquities of London and Westminster_)
from the house of W. Tunnard, Esq., on the Bankside, adjoining the
Scite of Shakespeare’s Theatre, on Wednesday the 8th January 1806,
when the remains of the great Admiral Lord Nelson were brought from
Greenwich to Whitehall.”
[308]
“The Fair One, whose charms did the Barber enthral,
At the end of Fleet Market of fish kept a stall:
As red as her cheek no boil’d lobster was seen,
Not an eel that she sold was as soft as her skin.”
THE BARBER’S NUPTIALS.
[309] From _The Wife’s Trial_, Lamb’s dramatic version of Crabbe’s
_Confidant_. See Mr. Lucas’s _Works of Charles and Mary Lamb_, vol.
v. p. 257.
[310] All previous relic-selling at Newgate was, however, eclipsed
by the sale held in the partly demolished prison on Wednesday, 4th
February 1903. The following account appeared in the _City Press_
of 7th February:--
Public-domain text, read in full here on John Shaqi.
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