[331] A deed of separation was obtained from Pope Pius VI. After the “Count’s” death, Angelica Kauffmann married in London, July 14, 1781, Antonio Pietro Zucchi, a Venetian painter who had long lived in England, and had been employed by Adam, the architect. He decorated Garrick’s house in the Adelphi. He died in 1795. [332] Thomas Pitt, first Baron Camelford, was a prominent politician and an opponent of Lord North. At Twickenham, where he settled in 1762, he and Horace Walpole exchanged ideas on Gothic architecture. [333] Probably the well-known Dr. Bates, M.D., of Missenden, Bucks. [334] Willey Reveley, architect, and editor of vol. iii. of Stuart’s _Antiquities of Athens_. [335] Smith’s task had been protracted by his tiresome quarrel with his collaborator, John Sidney Hawkins. They pamphletted and “vindicated” to their hearts’ content, but the dispute is not worth unravelling. [336] Henry White, then Sacrist of Lichfield Cathedral. [337] George Dance, who died in 1825, was the architect of the recently demolished Newgate Prison, also of St. Luke’s Hospital and the Guildhall entrance façade. He was the last survivor of the foundation members of the Royal Academy, and was buried in St. Paul’s Cathedral. William Daniell, R.A., was well known for his Indian and Oriental illustrations. He painted a panorama of Madras, and another of “The City of Lucknow and the mode of Taming Wild Elephants.” His painting, “A View of the Long Walk, Windsor,” is in the royal collection. [338] Fuseli’s quaint violences of speech were many, and gained in effect from his Swiss accent. He swore roundly, a habit which Haydon says he caught from his friend Dr. Armstrong, the poet. He said a subject should interest, astonish, or move; if it did none of these, it was worth “noding by Gode.” A visitor to his imposing, but unsuccessful, Milton Gallery of forty paintings, said to him, “Pray, sir, what is that picture?” “It is the bridging of Chaos; the subject from Milton.” “No wonder,” said the inquirer, “I did not know it, for I never read Milton, but I will.” “I advise you not, sir, for you will find it a d----d tough job.” He said, on looking at Northcote’s painting of the angel meeting Balaam and his ass: “Northcote, you are an angel at an ass, but an ass at an angel.” Once, at the table of Mr. Coutts, the banker, Mrs. Coutts, dressed like Morgiana, came dancing in, presenting her dagger at every breast. As she confronted Nollekens, Fuseli called out, “Strike--strike--there’s no fear; Nolly was never known to bleed.” He recommended a sculptor to find some newer emblem of eternity than a serpent with a tail in its mouth. The _something newer_ (says Cunningham) startled a man whose imagination was none of the brightest, and he said, “How shall I find something new?” “Oh, nothing so easy,” said Fuseli; “I’ll help you to it. When I went away to Rome I left two fat men cutting fat bacon in St. Martin’s Lane; in ten years’ time I returned, and found the two fat men