“Mr. White cannot refrain expressing his concern and astonishment, that Mr. Smith should have experienced so bitter a recession from friendly promises and assistance, as Mr. H. obliged him to feel; at the same time, the candid and unequivocal statement which Mr. Smith has made, must exonerate him from the world’s reproof, and account for the long protraction of the work. Mr. White cannot but indulge the hope, that so noble an addition to our architectural antiquities, so admirable an elucidation of every _precedent_ history of London, will most amply remunerate the pocket, though no success can recompense that anxiety of mind which Mr. Smith has undergone. The beautiful Cathedral of Lichfield has been recently ornamented with some very fine ancient painted windows, from the dissolved convent near Lille. If Mr. Smith would publish them in colours, Mr. White thinks that the subscription would fill rapidly; and if Mr. Smith would but come down and look at them, Mr. White would be happy in extending every accommodation, and rendering every assistance to him. When the windows are known, the plan will be certainly adopted by other artists of inferior competency.” 1808. On the first of November this year, George Dance, the Royal Academician, signed the dedication page of his first volume of portraits of eminent men drawn in pencil, with parts touched lightly with colour from life, and engraved by William Daniell, A.R.A., now a Royal Academician (he died 1837), consisting of thirty-six in number. The second volume, which also contained thirty-six in number, was published in 1814.[337] Fuseli, when viewing several of these portraits, was heard by one of Mr. Dance’s sitters to make the following observations upon the likenesses. Of Benjamin West he said, “His eye is like a vessel in the South Sea,--I can just spy it through the telescope;” of that of Joseph Wilton the sculptor, he observed, “How simple are the thinking parts of this man’s head, and how sumptuous the manducatory;” of that of James Barry he made the following declaration, “This fellow looks like the door of his own house;” of that of Northcote he exclaimed, “By _Cot_, he is looking sharp for a rat;” and of that of Sir William Chambers, he observed, drawling out his words, “What a _grate_, heavy, _humpty-dumpty_, this leaden fellow is.”[338] [Illustration: JAMES NORTHCOTE, R.A. “By _Cot_, he is looking out sharp for a rat.” _Fuseli_] In this sort of wit Fuseli had a formidable force of gunnery, and his shot seldom missed its destination; however, it cannot shatter the above work, as most of the portraits are of worthies too well known even to need it necessary to engrave their names under them. The greater portion of these likenesses are highly valuable to the illustrators of Boswell’s _Life of Johnson_, and, indeed, most of the modern biographical publications. 1809.