A Book for All Readers: An Aid to the Collection, Use, and Preservation of Books and the Formation of Public and Private LibrariesSpofford, Ainsworth Rand
Science
A Book for All Readers: An Aid to the Collection, Use, and Preservation of Books and the Formation of Public and Private Libraries
Spofford, Ainsworth Rand
Books; Library science
John Adams and John Quincy Adams used book-plates, and James Monroe and
John Tyler each had a plain name-label. These are all of our presidents
known to have used them, except General Garfield, who had a printed
book-plate of simple design, with the motto "_inter folia fructus_."
Eleven of the signers of the Declaration of Independence are known to
have had these signs of gentle birth--for in the early years of the
American Colonies, it was only the families of aristocratic connection
and scholarly tastes who indulged in what may be termed a superfluous
luxury.
The plates used among the Southern settlers were generally ordered from
England, and not at all American. The Northern plates were more
frequently of native design and execution, and therefore of much greater
value and interest, though far inferior in style of workmanship and
elaboration of ornament to the best European ones.
The ordinary library label is also a book-plate, and some of the early
libraries and small collections have elaborate designs. The early Harvard
College library plate was a large and fine piece of engraving by Hurd.
The Harvard Library had some few of this fine engraved label printed in
red ink, and placed in the rarer books of the library--as a reminder that
the works containing the rubricated book-plates were not to be drawn out
by students.
The learned bibliophile and librarian of Florence, Magliabecchi, who died
in 1714, devised for his library of thirty thousand volumes, which he
bequeathed to the Grand Duke of Tuscany, a book-plate representing his
own profile on a medal surrounded with books and oak boughs, with the
inscription--"Antonius Magliabecchius Florentinus."
Some book-plates embody designs of great beauty. The late George
Bancroft's, engraved on copper, represented a winged cherub (from
Raphael) gazing sun-ward, holding a tablet with the inscription "_Eis
phaos_," toward the light.
Some French book-plates aim at humor or caricature. One familiar example
represents an old book-worm mounted on a tall ladder in a library,
profoundly absorbed in reading, and utterly unconscious that the room
beneath him is on fire.
To those who ask of what possible utility it can be to cultivate so
unfruitful a pursuit as the devising or the collecting of book-plates, it
may be pertinent to state the claim made in behalf of the amateurs of
this art, by a connoisseur, namely, "Book-plates foster the study of art,
history, genealogy, and human character." On this theory, we may add, the
coat of arms or family crest teaches heraldry; the mottoes or
inscriptions chosen cultivate the taste for language and sententious
literature; the engraving appeals to the sense of the artistic; the names
of early or ancient families who are often thus commemorated teach
biography, history, or genealogy; while the great variety of sentiments
selected for the plates illustrate the character and taste of those
selecting them.
Public-domain text, read in full here on John Shaqi.
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