high road passed through the chapel, and separated the congregation
from the reading-desk and from the pulpit! What a relic of old
wayfaring life! Yet it was cleared away as hateful to progress.
A small oratory remains on the bridge at Bradford-on-Avon, Wiltshire.
It is not quite on the same lines as the original structure, for in
the seventeenth century its roofing was altered into a sort of dome
built with stone. It is a “housing,” a tiny place for a passing prayer,
not a chapel; and this class of bridge oratory has become so uncommon
that I doubt whether another exists. As Mr. Emanuel Green has said,
it “is now perhaps unique,” and “should be carefully preserved.”[96]
In recent times neither reverence nor care has been bestowed on this
oratory. After the Reformation it was profaned, as a matter of course.
For a long time it was used as a “lock-up,” and in 1887 it was a powder
magazine!
Its pyramidal roof is crowned with a tall finial, which in its turn
carries a pretty wind vane; and in the wind vane we find the emblem of
St. Nicholas--a gudgeon. The townsfolk used to be known as Bradford
gudgeon, and those of them who had been shut up in the little prison
on the bridge were said to have been “under the fish and over the
water.”[97]
At St. Ives, Huntingdonshire, called Slepe in “Domesday Book,” and
Asleep to-day, there is another degraded oratory, a bigger one, with an
apsidal termination eastward. Its original parapet has been torn down,
and a brick house of two storeys adds greatly to its height. Derby
also has a bridge chapel, whose history may be studied in the works of
the Rev. Dr. Cox; but I am more interested in the oratory on Rotherham
Bridge, Yorkshire. Here, as at Wakefield, the chapel stands on a small
island, the upper part is corbelled out on each side, and the end
against the bridge is carried by a half-arch. The plan is a rectangle
about 30 ft. by 14 ft., while at Wakefield the external width is 20 ft.
and the total length about 45 ft. During many years Rotherham Chapel
was almost as beautiful as the masterpiece at Wakefield; and even now,
after infinite ill-usage, there is charm in the embattled parapet
graced with pinnacles.
[Illustration: GOTHIC BRIDGE AT BARNARD CASTLE, YORKSHIRE]
Public-domain text, read in full here on John Shaqi.
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