ARC DE TRIOMPHE, Chinese, 315;
Roman, 176-7, 183.
ARCHÆOLOGY, PREHISTORIC, why it is tiresome to most people, 119-20.
ARCHERY, EARLY ENGLISH, the Conscription of, how its legal statutes
were imperilled by trade “rings,” 49;
some Elizabethans wanted to see a revival of the archery statutes,
333.
ARCHES made by Nature, the Pont d’Arc at Ardèche, 6, 88, 150;
the Rock Bridge in Virginia, 6;
the Durdle Door at Lulworth, 151;
La Roche Percée at Biarritz, 151;
La Roche Trouée, near Saint-Gilles Croix-de-Vie, 151;
at Icononzo, in New Grenada, 151;
Lydstep Arch on the coast of Pembroke, 150 _footnote_;
on the formation of natural arches, 151-2;
how these arches were copied by mankind, 6, 153, 154, 155, 156, 157;
their significance, 152-4.
ARCHES made by Man, those copied or adapted from Nature’s models, 6,
153-7;
their significance, 152-4;
the symbolism of arches, 154;
arches in art are more suggestive than circles, 154-5;
in some arches the vaults are built with parallel bands of stone,
Roman examples, 82, 83, 174;
mediæval example, 81, 82, 83;
arches made with criss-cross piers of timber, Gaulish, 70, 71;
in Kashmír, 71, 72, 73;
in North Russia, 73;
cycloid arches, in Ammanati’s bridge, 222, 316-17;
elliptical arches, St. Bénézet’s, 81;
in Chosroes’ great hall at Selucia-Ctesiphon, 275 _footnote_;
extra-dossed arches, Roman and mediæval, 282-3;
pointed arches, early Egyptian, 155-6;
Babylonian, 275 _footnote_;
early European, 86-93;
semicircular arches, Babylonian, 275 _footnote_;
in Asia Minor, 160;
in Acarnania, 160;
among the Etruscans, 160;
in Ancient Rome, 161-4;
transverse arches cut through the piers of bridges, 213, 214, 270.
ARCHITECTS, great need of their influence in to-day’s
bridge-building, 357;
and also in the work of British highway boards, 43.
ARCHITECTURE, ARABIAN, see “Arabian Arches.”
ARCHITECTURE OF BIRDS, 112;
the use of mud in the building of walls probably copied from birds,
111.
ARCHITECTURE, GREEK, 152, 157-9; lovers of Greek architecture are
overapt to undervalue the Roman genius, 167-8.
ARCHITECTURE, ROMAN, see Chapter III.
Public-domain text, read in full here on John Shaqi.
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