While Ulric Grubenmann was working at Schaffhausen, his brother Jean
built a similar bridge at Reichenau, two hundred and forty feet in a
single span; and some years later the two brothers constructed their
Wittingen Bridge over the Limmat, near Baden, giving to it a span
of three hundred and ninety feet. They were famous now, and their
influence travelled from Europe to America, where it found in Bludget
an able interpreter, Bludget’s bridge over the Portsmouth River being
similar in technique to the bridge at Schaffhausen. Since that time
the evolution of timber bridges has remained in the United States of
America, where it has ranged from the criss-cross of logs for bearing
piles to the most intricate combinations of lattices and trusses. Very
often there is far too much intricacy, and no thought at all is given
to military considerations (p. 352). “Many wooden American bridges
are trusses which almost defy analysis, the designs being, however,
obviously suggested by an attempt to combine at least two of the three
main types of bridges. No advantage whatever is gained by a combination
of this kind; on the contrary, great disadvantage is almost sure to
follow its adoption, namely, that it will be impossible that each part
of the structure should, under all circumstances, carry that portion
of the load which the designer entrusted to it. For suppose a bridge
constructed partly as a girder and partly as a suspension bridge, the
girder being very stiff and deep, the chain perfectly flexible with
considerable dip. Let the chain and girder be each fit to carry half
the passing load. It is perfectly conceivable that the deflections of
the two should be so different that the girder would, under the actual
load, break before the chain was sensibly strained, or the difference
in the relative dip of the chain and depth of the girder might be such
as to cause the former to give way first.”[51]
VII
PRIMITIVE SUSPENSION BRIDGES
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account