Bryn Mawr (Pa.) -- Social life and customs -- Fiction; Bryn Mawr College -- Fiction; College stories, American; Women college students -- Fiction
"God forbid," said Sydney Lodge solemnly. "The Powers have a trick now
and then of taking us at our word, and our answered prayers are fruit
bitter in the eating."
While she spoke they became conscious that the great bell was ringing,
with strokes that sounded now near, now far distant, from every quarter,
rhythmic in their pulse; the first distinct enough yet echoing
familiarly, as though it were the second or third, the last in like
manner seeming a faint intermediate one, whose successors the ear had
lost. And like the wind awhile before, so the bell had a tang of
darkness and the great spaces outside.
III
In the house there were movements, and voices cut short by banging
doors. Sydney had picked up a lamp and disappeared into her bedroom in a
sphere of radiance, like a glow-worm. The dimmed room, which seemed
yellower, took a new look: the whole Italian Renaissance, very
adequately represented by the pictures on the walls, withdrew into
itself and darkness. Esther stared absently from the long steamer chair
at the faintly yellowed walls, at the pink bed of coals, and two Tanagra
figurines above,--the lady who binds up her hair and the other lady
carrying a wide basin in her slender hands, who forever bends over it to
watch her own reflected face.
The girl was disturbed more by this fellowship business than even to her
close friend she could betray. Not wanting the fellowship for herself,
she did crave it for Sydney. Moreover, they could then go abroad
together. She had longed that day to hint as much to a professor that
was, she thought, disposed to overvalue her own rather advanced work
along a very narrow line as against Sydney's all-round brilliancy. And
while she heard the other opening drawers and rustling in her wardrobe,
Esther pursued her misgiving a step further than it had ever before
taken her, although at no time was she a fancier of illusions.
Public-domain text, read in full here on John Shaqi.
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