A Book of Burlesque: Sketches of English Stage Travestie and ParodyAdams, William Davenport
History
A Book of Burlesque: Sketches of English Stage Travestie and Parody
Adams, William Davenport
Burlesque (Literature); English literature -- History and criticism; Parody
_Rom._ You dare to scoff at me, rebellious thing! (_knocks his hat
off_)
Uncover in the presence of your king!
(_To audience_) That's historical!
_Rem._ What! strike me, dare you?
(_Quietly_) Give me an earldom, and perhaps I'll spare you!
_Rom._ Your base insinuation I resent.
I go in for king and parliament.
_Rem._ Your parliament's all gingerbread! (How nice!)
I am a patriot and will have my price.
_Rom._ Defied! (_blows trumpet_). What, ho! my faithful guards,
where be 'em?
(_Enter, from various entrances, all the characters, and
supers. Tableau as in "Charles I."_)
(_To audience_) I say! They can't beat _that_ at the Lyceum.
In this piece Apollo (Miss Nelly Power) figures as a sort of Chorus,
commenting on the action and interposing in it; while Baccharia
(Miss Maria Rhodes) is represented as the sister of Tatius and a
husband-huntress. The burlesque has all Mr. Reece's ingenuity in
_jeu-de-mot_ work. For instance:--
_Tatius._ This is too much!
_Baccharia._ To boast of deeds audacious.
_Tatius._ Too callous!
_Romulus._ _Calais!_ Don't be _Ostend-Tatius!_
Mr. Burnand's "Julius Cnæsar" made the walls of the Royalty resound
with laughter in the autumn of 1870. In the spring of 1869 William
Brough had brought out at the Strand his version of the tale of Joan
of Arc, whom he represented as the leader of a troop of Amazons,
extremely interested in Woman's Rights. She comes, as in history, to
the French king's assistance; but, falling in love with a young English
soldier, is captured by the invaders and condemned to resume female
attire,--a sentence which in the end she manages to evade. A leading
part is played by the Duke of Burgundy, who is for ever uncertain on
which side he shall fight, and whose name provides frequent opportunity
for punning. Thus:--
_Dunois._ See, Burgundy comes!
_King._ Is he indeed with me?
As a rule Burgundy ne'er yet agreed with me.
He says he is my friend!
_Duchatel._ Well, that's a thumper!
The name of Burgundy suggests a bumper!
_La Hire._ He comes!
_King_ (_looking off_). With what a swagger, too! It's clear
Burgundy doesn't think himself small beer!
Again:--
_Lionel._ Then, my lord, Burgundy, with all his train,
Will join our ranks.
_Talbot._ My plans are changed again!
He'll lick the foe in no time--if not quicker!
Burgundy's such a very potent _licker_!
Strengthened by him, war's hardest blows we'll mock--
With a strong Burgundy, despise a kn_ock_.
Here, too, is a clever bit of word-play:--
_Burgundy._ The _proffer'd table_ I must needs refuse;
My time I can more _profitably_ use.
I can't _dine nicely_ while with projects vasty
My mind is filled for changing the _dy-nasty_.
Public-domain text, read in full here on John Shaqi.
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