CHAPTER XII.
THE TWO LOOES
East Looe--Church--Narrow and picturesque streets--A fair--A
strolling company--West Looe--Looe Island--The
Fyns--Smuggling--The East Looe river--Duloe--S. Keyne's
Well--Liskeard--Menheniot--The West Looe river--Trelawne--The
Trelawny ballad--Polperro--Privateers--Robert Jeffrey--Tom
Potter--Lanreath.
East and West Looe, separated by a tidal stream, the Looe (the same as
Liffey from Welsh _llifo_ to flow, _llif_ a flood[16]), and united by a
long bridge, at one time returned four members to Parliament.
East Looe is the more considerable place of the two, and possesses a
new and respectable Guildhall, and some quaint old houses and an
ancient picturesque market-house. The church is modern and poor of its
kind--one of those structures that do not convey an idea to the mind of
either beauty or of ugliness, but are mediocre in conception and
execution. It occupies the site of an earlier church dedicated to S.
Keyne, but it is now dedicated to S. Anne, who formerly had a chapel on
the bridge.
The streets are narrow and full of quaint bits. As I first saw Looe it
struck me as one of the oddest old-world places in England. A man had
been there selling paper flags and coloured streamers also of paper,
and the children in the narrow alleys were fluttering these, and had
hung them from the windows, and were dancing with coloured paper caps
on their heads or harlequin sashes about their bodies, whilst an
Italian organ-grinder played to them. From the narrow casements leaned
their mothers, watching, laughing, and encouraging the dancers. A
little way back was a booth theatre, hardly up to the level of that of
Mr. Vincent Crummel's, enclosed in dingy green canvas. Reserved seats,
6_d._; back seats, 3_d._ and 1_d._ The _répertoire_ comprised
blood-curdling tragedies. I went in and saw "The Midnight Assassin; or,
The Dumb Witness."
Next evening was to be given "The Vampire's Feast; or, The Rifled
Tomb." The tragedy was followed by Allingham's play, "Fortune's
Frolick" (1799), adapted to the narrow capacities of the company. It
was performed in broad Cornish, and interspersed with some rather good
and, I fancy, original songs. But surely nowhere else but at Looe could
such a reminiscence of the old strolling company-show of fifty or sixty
years ago be seen.
But this is not all. A stranger having seen something I wrote about
puppet-shows in a paper, wherein I said that the last I had sat through
was sixty years ago, wrote to me:--
"At West Looe, far more recently, at the annual fair, which
commences on the 6th May, I saw a show in which the figures
were all moved by strings manipulated from above. I regret that
I am unable to remember the subject of the play, but the droll
antics of the puppets, the rapidity of their movements, and the
cleverness of the whole thing, remains distinctly impressed on
my mind."
Public-domain text, read in full here on John Shaqi.
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