"That is certainly true. It is becoming a sadly incredulous sex. I
further got over Alec's difficulty about the tray by saying that it
could be left in the custody of one of the officials at the entrance.
Then he consented. We passed through the swing-door and deposited the
tray with the functionary who presides over umbrellas and
walking-sticks. Then I went forward along with my Hindu towards the
reading-room. But here another hindrance arose. Alec had no ticket, and
therefore might not enter beyond the glass screen interposed between the
door and the readers. Some demur was made as to his being allowed to
remain there for any considerable time, but I got over that by means of
a little persuasion. 'Sahib,' said Alec 'I should suggest your marking
the Merewigs, so as to be able to recognise them elsewhere.' 'How can I
do that?' I inquired. 'I have here with me a piece of French chalk,' he
answered. 'You go within, sahib, and walk up and down by the tables,
behind the chairs of the readers, or around the circular cases that
contain the catalogues, and where the students are looking out for the
books they desire to consult. When you pass a female, either seated or
standing, glance towards the glass screen, and when you are by a Merewig
I will hold up my hand above the screen, and you will know her to be
one; then just scrawl a W or M, or any letter or cabalistic symbol that
occurs to you, upon her back with the French chalk. Then whenever you
meet her in the street, in society, at an A. B. C. place of refreshment,
on a railway platform, you will recognise her infallibly.' 'Not likely,'
I objected. 'Of course, so soon as she gets home, she will brush off the
mark.' 'You do not know much of the Merewigs,' he said. 'When the
spirits of those frivolous girls were in their first stage of existence,
they were most particular about their personal appearance, about the
neatness and stylishness of their dress, and the puffing and piling up
of their hair. Now all that is changed. They are so disgusted at having
to get into any unsouled body that they can lay hold of in the
_garde-robe_, such a body being usually plain in features, middle-aged,
and with no waist to speak of, or rather too ample in the waist to be
elegant, that they have abandoned all concern about dress and tidiness.
Besides, they are engrossed in the acquisition of knowledge, and the
burning desire that consumes them is to get out of these borrowed cases
as speedily as may be. Consequently, so long as they are dressed and
their hair done up anyhow, that is all they care about. As to threads,
or feathers, or French chalk marks on their clothes, they would not
think of looking for them.' Then Alec handed to me a little piece of
French chalk, such as tailors and dressmakers employ to indicate
alterations when fitting on garments. So provided, I passed wholly into
the spacious reading-room, leaving the Hindu behind the screen.
Public-domain text, read in full here on John Shaqi.
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