"I must take the cart back to Farmer Eggins," said her husband; "duty
fust, and pleasure after."
When his father was gone Mrs. Lambole said, "Now then, Joe, you've been
a very wicked, bad boy, and God will never forgive you for the
naughtiness you have committed and the trouble to which you have put
your poor father and me." She would have spoken more sharply but that
his head needed her care and the sight of the blood disarmed her.
Moreover, she knew that her husband would not pass over what had
occurred with a reprimand. "Get off your clothes and go to bed, Joe," she
said when she had readjusted the plaster. "You may take a piece of dry
bread with you, and I'll see if I can't persuade your father to put off
whipping of you for a day or two."
Joe began to cry.
"There," she said, "don't cry. When wicked children do wicked things
they must suffer for them. It is the law of nature. And," she went on,
"you ought to be that ashamed of yourself that you'd be glad for the
earth to open under you and swallow you up like Korah, Dathan, and
Abiram. Running away from so good and happy a home and such tender
parents! But I reckon you be lost to natural affection as you be to
reason."
"May I take my fiddle with me?" asked the boy.
"Oh, take your fiddle if you like," answered his mother. "Much good may
it do you. Here, it is all smeared wi' blood. Let me wipe it first, or
you'll mess the bedclothes with it. There," she said as she gave him the
broken instrument. "Say your prayers and go to sleep; though I reckon
your prayers will never reach to heaven, coming out of such a wicked
unnatural heart."
So the little Gander went to his bed. The cottage had but one bedroom
and a landing above the steep and narrow flight of steps that led to it
from the kitchen. On this landing was a small truckle bed, on which Joe
slept. He took off his clothes and stood in his little short shirt of
very coarse white linen. He knelt down and said his prayers, with both
his hands spread over his fiddle. Then he got into bed, and until his
stepmother fetched away the benzoline lamp he examined the instrument.
He saw that the bridge might be set up again with a little glue, and
that fresh catgut strings might be supplied. He would take his fiddle
next day to Roger Gale and ask him to help to mend it for him. He was
sure Roger would take an interest in it. Roger had been mysterious of
late, hinting that the time was coming when Joey would have a first-rate
instrument and learn to play like a Paganini. Yes; the case of the red
fiddle was not desperate.
Just then he heard the door below open, and his father's step.
"Where is the toad?" said Mr. Lambole.
Joe held his breath, and his blood ran cold. He could hear every word,
every sound in the room below.
"He's gone to bed," answered Mrs. Lambole. "Leave the poor little
creetur alone to-night, Samuel; his head has been bad, and he don't look
well. He's overdone."
Public-domain text, read in full here on John Shaqi.
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