"Will you kindly give me some lime-juice?" I entreated.
I sipped the acid draught, but without relief. I listened to Square, but
without hope. I wanted to be left alone. I was weary of my pain, weary
of everything, even of life. It was a matter of indifference to me
whether I recovered or slipped out of existence.
"It will be here again shortly," said the engineer. "As the French say,
_l'appetit vient en mangeant_. It has been at you thrice, it won't be
content without another peck. And if it does get another, I guess it
will pretty well about finish you."
Mr. Square rubbed his chin, and then put his hands into his trouser
pockets. That also was a trick acquired in the States, an inelegant one.
His hands, when not actively occupied, went into his pockets, inevitably
they gravitated thither. Ladies did not like Square; they said he was
not a gentleman. But it was not that he said or did anything "off
colour," only he spoke to them, looked at them, walked with them, always
with his hands in his pockets. I have seen a lady turn her back on him
deliberately because of this trick.
Standing now with his hands in his pockets, he studied my bed, and said
contemptuously: "Old-fashioned and bad, fourposter. Oughtn't to be
allowed, I guess; unwholesome all the way round."
I was not in a condition to dispute this. I like a fourposter with
curtains at head and feet; not that I ever draw them, but it gives a
sense of privacy that is wanting in one of your half-tester beds.
If there is a window at one's feet, one can lie in bed without the glare
in one's eyes, and yet without darkening the room by drawing the blinds.
There is much to be said for a fourposter, but this is not the place in
which to say it.
Mr. Square pulled his hands out of his pockets and began fiddling with
the electric point near the head of my bed, attached a wire, swept it in
a semicircle along the floor, and then thrust the knob at the end into
my hand in the bed.
"Keep your eye open," said he, "and your hand shut and covered. If that
finger comes again tickling your ribs, try it with the point. I'll
manage the switch, from behind the curtain."
Then he disappeared.
I was too indifferent in my misery to turn my head and observe where he
was. I remained inert, with the knob in my hand, and my eyes closed,
suffering and thinking of nothing but the shooting pains through my head
and the aches in my loins and back and legs.
Some time probably elapsed before I felt the finger again at work at my
ribs; it groped, but no longer bored. I now felt the entire hand, not a
single finger, and the hand was substantial, cold, and clammy. I was
aware, how, I know not, that if the finger-point reached the region of
my heart, on the left side, the hand would, so to speak, sit down on it,
with the cold palm over it, and that then immediately my heart would
cease to beat, and it would be, as Square might express it, "gone coon"
with me.
Public-domain text, read in full here on John Shaqi.
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