I did not feel in the slightest degree nervous. There was no light in
the carriage, but that did not matter, as there was twilight. I sat
facing the engine on the left side, and every now and then I looked out
at the downs with a soft haze of light still hanging over them. We swept
into a cutting, and I watched the lines of flint in the chalk, and
longed to be geologising among them with my hammer, picking out
"shepherds' crowns" and sharks' teeth, the delicate rhynconella and the
quaint ventriculite. I remembered a not very distant occasion on which I
had actually ventured there, and been chased off by the guard, after
having brought down an avalanche of chalk débris in a manner dangerous
to traffic whilst endeavouring to extricate a magnificent ammonite which
I found, and--alas! left--protruding from the side of the cutting. I
wondered whether that ammonite was still there; I looked about to
identify the exact spot as we whizzed along; and at that moment we shot
into the tunnel.
There are two tunnels, with a bit of chalk cutting between them. We
passed through the first, which is short, and in another moment plunged
into the second.
I cannot explain how it was that _now_, all of a sudden, a feeling of
terror came over me; it seemed to drop over me like a wet sheet and wrap
me round and round.
I felt that _someone_ was seated opposite me--someone in the darkness
with his eyes fixed on me.
Many persons possessed of keen nervous sensibility are well aware when
they are in the presence of another, even though they can see no one,
and I believe that I possess this power strongly. If I were blindfolded,
I think that I should know when anyone was looking fixedly at me, and I
am certain that I should instinctively know that I was not alone if I
entered a dark room in which another person was seated, even though he
made no noise. I remember a college friend of mine, who dabbled in
anatomy, telling me that a little Italian violinist once called on him
to give a lesson on his instrument. The foreigner--a singularly nervous
individual--moved restlessly from the place where he had been standing,
casting many a furtive glance over his shoulder at a press which was
behind him. At last the little fellow tossed aside his violin, saying--
"I can note give de lesson if someone weel look at me from behind! Dare
is somebodee in de cupboard, I know!"
"You are right, there is!" laughed my anatomical friend, flinging open
the door of the press and discovering a skeleton.
The horror which oppressed me was numbing. For a few moments I could
neither lift my hands nor stir a finger. I was tongue-tied. I seemed
paralysed in every member. I fancied that I _felt_ eyes staring at me
through the gloom. A cold breath seemed to play over my face. I believed
that fingers touched my chest and plucked at my coat. I drew back
against the partition; my heart stood still, my flesh became stiff, my
muscles rigid.
Public-domain text, read in full here on John Shaqi.
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