When the Roman Emperors grew very vain and luxurious, they used to have
this sand made ornamental with metallic filings, vermilion, and even
powdered precious stones; but it was thought better taste to use the
scrapings of a soft white stone, which, when thickly strewn, made the
whole arena look as if covered with untrodden snow. Around the border
of this space flowed a stream of fresh water. Then came a straight wall,
rising to a considerable height, and surmounted by a broad platform, on
which stood a throne for the Emperor, curule chairs of ivory and
gold for the chief magistrates and senators, and seats for the vestal
virgins. Next above were galleries for the equestrian order, the great
mass of those who considered themselves as of gentle station, though not
of the highest rank; farther up, and therefore farther back, were
the galleries belonging to the freemen of Rome; and these were again
surmounted by another plain wall with a platform on the top, where were
places for the ladies, who were not (except the vestal virgins) allowed
to look on nearer, because of the unclothed state of some of the
performers in the arena. Between the ladies' boxes, benches were
squeezed in where the lowest people could seat themselves; and some of
these likewise found room in the two uppermost tiers of porticoes, where
sailors, mechanics, and persons in the service of the Coliseum had their
post. Altogether, when full, this huge building held no less than 87,000
spectators. It had no roof; but when there was rain, or if the sun was
too hot, the sailors in the porticoes unfurled awnings that ran along
upon ropes, and formed a covering of silk and gold tissue over the
whole. Purple was the favorite color for this velamen, or veil; because,
when the sun shone through it, it cast such beautiful rosy tints on the
snowy arena and the white purple-edged togas of the Roman citizens.
Long days were spent from morning till evening upon those galleries. The
multitude who poured in early would watch the great dignitaries arrive
and take their seats, greeting them either with shouts of applause or
hootings of dislike, according as they were favorites or otherwise; and
when the Emperor came in to take his place under his canopy, there
was one loud acclamation, 'Joy to thee, master of all, first of all,
happiest of all. Victory to thee for ever!'
Public-domain text, read in full here on John Shaqi.
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