For many months a small group of faithful enthusiasts struggled to
attain the standard set for them by director and artist. The play was
finally given before an audience of Playhouse members. Mr. O’Neil
produced the strangely beautiful lighting with the crudest facilities
imaginable. The parts were read by members of the group who had been
working along patiently with the manipulators until words, settings and
action had grown perfectly harmonious. Those who were privileged to
witness this first production were deeply thrilled by the poetic beauty
of it, and still mention it as an unusual experience.
Encouraged by this initial success, the group determined to continue
with marionettes. But the Playhouse itself was going through a winter
of vicissitudes and the puppeteers were compelled to endure and suffer
many delays and disappointments. Rehearsing in a rear room of an empty
house loaned for the season (and often fabulously cold!) with readers
and operators dropping out one by one from sheer discouragement or
because of war work, trying out several plays which for one reason or
another proved impossible, still a nucleus of the old group, with the
addition of a few new workers, held on, held out through this second
season under the ever optimistic leadership of Grace Treat. After
moving into other temporary quarters, to be exact, into the high and
dingy little ball-room of an old residence turned boarding-house, the
group produced a very successful repetition of _Tintagiles_.[6]
Meanwhile the Playhouse had purchased a little church which it
remodeled, decorated and equipped as a permanent theatre. During this
time, and under most trying circumstances brought about by the war, the
director contrived to present several productions for the first Winter
in the new playhouse, among them two marionette performances. Most of
the puppeteers and readers for both of these plays were new at the work
and had to be trained from the very beginning. The stage, too, had been
altered to admit of a cyclorama, improved lighting arrangements and,
quite incidentally, a stronger and safer _bridge_. Nevertheless certain
methods and principles of manipulating were evolved which somewhat
raised the dexterity of the group as a whole.
Public-domain text, read in full here on John Shaqi.
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