Blei, Franz, quoted on shadow play in Munich, 132; on types of plays for puppets, 210–211. Bohemia, puppet plays in, 136. Boinet, Paul, operator on _La France_, 109. Bologna, theatres in, 69. _Bonifrates_, definition, 80. Boswell, quoted, 154. Bouchor, Maurice, presents _Noël ou le Mystère de la Nativité_, 110–111. Brann, Paul, founder of theatre in Munich, 130. Briocci. _See_ Brioché. Brioché, Giovanni and Francesco, famous 17th century showmen, 84–86. Broemel, Carl, 183. Browne, Mrs. Maurice, founder of Chicago Little Theatre, 173–178. Buelens, Pieter, Belgian showman, 141. Buffano, Remo, 171. Bulley, Margaret, 157. _Burattini_, description, 54; derivation of name, 55. Burma, development of puppet stage, 29–30. Caine, W., quoted on Paris Guignols, 197–198. Calthrop, A., on modern Venetian show, 68. Cardboard plays, 192–194. Cascio, Salvatore, 172. Cassandrino, Italian puppet character, 58, 60. Catacombs, jointed images in tombs, 22. Catania, religious plays in, 77–78. Cecca, mediæval Italian mechanician, 51–52. Central Asia, two types of puppets, 30. Ceylon, early religious puppets, 33. Chambers, E. K., quoted on use of puppets in churches, 53. Champs Élysées, home of the Vrai Guignol, 107–108; performances, 197–198. Character types. _See_ Types. Charles V of Spain, 78. _Chat Noir_, home of _Ombres Françaises_, 98–100. Chicago Little Theatre, successful performances in, 173–178. Children’s productions, 192–194. Chopin, life enacted by Cleveland puppets, 182. Christmas plays. _See_ Religious plays. Church festivals, in Italy, 51–52. _See also_ Passion play; Religious plays. Cibber, Colley, writes for marionettes, 153. Cleveland, Italian performance in, 172; Playhouse, puppet productions, 178–183; performance of _The Rose and the Ring_, 200–201; construction of dolls, 221–224. Clisby, George, 179. Cologne, home of Kölner Hanneschen Theatre, 128. Comic element in puppets, 203–205. _Commedia dell’Arte_, influence on Italian marionettes, 57–59. Constantine, Italian puppet character, 58. Construction of marionettes, 221–224. _See also_ Materials; Mechanism. Construction of marionette stage (O’Neil), 226–229. Craig, Gordon, experiments with puppets, 160–163; _Game of Marionettes_, 192; on educational importance of puppets, 202; on actor and marionette, 208–209; on future of puppet plays, 214. Crawley, London showman, 153. Cruikshank, pictures of Punch and Judy, 149. Cuccoli, Filippo, 69. Curtis, Elnora Whitman, on educational value of puppets, 201–202. Dalang, definition, 27. _Dame aux Camellias (La)_, parody on by George Sand, 94. _Death of Tintagiles_, production in Cleveland, 179–180; rehearsal of, 218–221. Deaves, Harry, retired American marionettist, 171. _Deluded Dragon_, produced at Chicago Little Theatre, 174–175.