London, Italian puppets in, 146; present-day street puppets, 155. Los Angeles, puppets in, 183. Louis XIV, puppets a feature of marriage procession, 79; gives special privileges to La Grille, 88. Lupi brothers, Italian showmen, 68–69; description of performance for children, 199–200. Luschan, von, F., on puppet plays in Turkey, 38. Luther, Martin, denunciations against actors, 123. Maccus, Roman buffoon, 21. Machieltje, Belgian showman, 140. MacLean, J. Arthur, on puppet performance at Ananda, 29–30. Maeterlinck’s _Death of Tintagiles_ produced in Cleveland, 179–180; rehearsal of play, 218–221. Magnin, Charles, on Greek articulated idols, 18; on Polichinelle, 205. _Mahabharata_, basis of Javanese plays, 26. Making a marionette, 221–224. _See also_ Materials; Mechanism. _Manik Muja_, basis of Javanese plays, 26. Margueritte, Paul, describes M. Signoret’s puppets, 207. Marionette, derivation of name, 55. Marionette Theatre of Munich Artists, 130–131. Masques, English, 145–146. Materials, used in ancient Indian puppets, 15; in Javanese shadows, 25; in Siamese shadows, 29; in Cleveland Playhouse puppets, 179–180; making a marionette to-day, 221–224. Matthews, Brander, on types of plays for puppets, 211–212. Maupassant, de, Guy, on Karagheuz plays, 39. Mechanical dolls in vaudeville, 170–171. Mechanism, of early Greek puppets, 18; of Javanese shadows, 27; of modern Indian puppets, 34; of Turkish puppets, 38; intricacy of in Japanese puppets, 45–46; of Italian puppets, 54–55; intricate, in modern Italian puppets, 70; increasing intricacy in France, 90; of _Le Petit Théâtre de M. Henri Signoret_, 102–103; perfection in Tony Sarg’s puppets, 185–186; simple, in Cleveland Playhouse dolls, 221–224. Michel, Wilhelm, on comic function of puppets, 204. Mick, Hettie Louise, writes on plays at Chicago Little Theatre, 175–176. _Midsummer Night’s Dream_, production at Chicago Little Theatre, 175–177. Molière’s _Monsieur Pourceaugnac_ in Madrid, 80. Monzayemon, Chikamatsu, Japanese playwright, 48. Mourguet, Laurent, originator of Guignol, 107. Munich, home of best German puppet shows, 128–133. Musée Grevin, theatre in, 109. Nang, Siamese shadow play, 28–29. Nantes, revocation of Edict made into play, 86–87. Napoleon, death of, puppet play described by Dickens, 64–66. Nelson, Lord, imaginary dialogue with Punch, 149. Neuville, de, Lemercier, guiding spirit of _Erotikon Theatron_, 95–96; interest in shadow plays, 98. New York, Italian show described by Arthur Gleason, 172–173; puppets of Tony Sarg, 183–191. _Noël_, by Bouchor, 110–111. Ogotai, legend of, 31. _Ombres Chinoises_, French shadow plays, 97. _Ombres Françaises_, at the _Chat Noir_, 98–100. _Ombre du cocher poète, L’_, first _opéra comique_, 88–89.