Rehm, R. S., on puppet show in Samarkand, 30–31; on Chinese shadows, 42–43; on Rivière’s shadow pantomimes, 99–100. Religious plays, at Catania, 77–78; in Spain, 78; revocation of Edict of Nantes produced, 86–87; in Russia, 137–139; in Poland, 138–139; in England, 145; specially suited to marionettes, 211. _See also_ Passion play. Religious puppets, at Antinoë, 17; in Greece, 18; in Rome, 21; in Catacombs, 22; in Burma, 30; in Ceylon, 33. _See also_ Idols; Images; Statues. Repertory, varied in Italian puppet shows, 56–62; varied in medieval Germany, 123–125; in Munich theatres, 131–132. Restrictions on production, in 17th century France, 87–88. Rivière, Henri, makes pantomimes for _Chat Noir_, 99–100. Rome, ancient, articulated statues, 21; Rome, modern, many puppet theatres in, 60–62. _Rose and the Ring_ produced by Tony Sarg, 189–190; account of Cleveland performance, 200–201. Russia, puppet plays in, 137–139. Saint-Genois, de, Alfred and Charles, 101. Saint Germain Fair, puppet shows at, 87. Saint Laurent Fair, puppet shows at, 87. _Salome_, in puppet performance, 211–212. Samarkand, performance of _Tschadar Chajal_ in, 30–31. Sand, George, establishes _Théâtre des Amis_, 92–94. Sanskrit, restriction in use of, 33. Sarg, Tony, experiments with marionettes in London and New York, 184–191; takes _The Rose and the Ring_ to Cleveland, 200–201. Scala, Flaminio, 17th century director, 59. Scapino, Italian puppet character, 58. Scaramuccia, Italian puppet character, 58. Sceaux, puppet stage in chateau, 89–90. Schmidt, “Papa,” beloved Munich showman, 129–130; appreciation of work, 195. Schutz and Dreher, showman of Berlin, 121. Seneca, death of, shown in Valencia, 80. Seraphin, Dominique, producer of shadow plays, 97. Shadow plays, in France, 96–100; in Munich, 132. “Shadows,” Javanese, how made, 25; of Siamese _Nang_, 28–29; Turkish, origin and excellence of, 36–39; Chinese development, 39–43. _Shadowy Waters_ produced by Cleveland puppets, 182. Shakespeare, _Tempest_ produced by M. Signoret, 103–104; allusions to puppet shows, 143–144; _Midsummer Night’s Dream_ in Chicago, 175–177. Shaw, G. Bernard, on marionettes and acting, 209; on future of puppet shows, 214. Siam, unusual shadows of the _Nang_, 28–29. Sicily, great popularity of marionettes in, 70–78. _Signoret, Henri, le Petit Théâtre de_, 102–103; puppets described by Paul Margueritte, 207–208. Simmonds, William, artist and amateur puppeteer, 158–160. Simplification of puppets by Gordon Craig, 162–163. Socrates and the showman, 20. Spain, history of puppets in, 78–80. _Spectator_, frequent mention of puppets, 151–152. Stage, construction of (O’Neil), 226–229. Statues, articulated, in Rome, 21. _See also_ Idols; Images; Religious puppets.