Mythology; Mythology, Greek -- Juvenile literature
And the cranes screamed hoarsely and mournfully as if in farewell, as
they flapped their way towards Corinth and left the poet lying dead.
When his body was found, robbed and terribly wounded, from all over
Greece, where he was known and loved, there uprose a great clamour of
lamentation.
"Is it thus I find you restored to me?" said he who had expected him
in Corinth as his honoured guest; "I who hoped to place the victor's
laurels on your head when you triumphed in the temple of song!"
And all those whom the loving personality of Ibycus and the charm of
his music had made his friends were alert and eager to avenge so foul
a murder. But none knew how the wicked deed had come to pass--none,
save the cranes.
Then came the day to which Ibycus had looked forward with such joy,
when thousands upon thousands of his countrymen sat in the theatre at
Cyprus and watched a play that stirred their hearts within them.
The theatre had for roof the blue vault of heaven; the sun served for
footlights and for the lights above the heads of those who acted. The
three Furies--the Eumenides--with their hard and cruel faces and snaky
locks, and with blood dripping from their eyes, were represented by
actors so great that the hearts of their beholders trembled within
them. In their dread hands lay the punishment of murder, of
inhospitality, of ingratitude, and of all the cruellest and basest of
crimes. Theirs was the duty of hurrying the doomed spirits entrusted
to their merciless care over the Phlegethon, the river of fire that
flows round Hades, and through the brazen gates that led to Torment,
and their robes were robes worn
"With all the pomp of horror, dy'd in gore."
Virgil.
In solemn cadence, while the thousands of beholders watched and
listened enthralled, the Furies walked round the theatre and sang
their song of terror:
"Woe! woe! to him whose hands are soiled with blood! The darkness
shall not hide him, nor shall his dread secret lie hidden even in the
bowels of the earth! He shall not seek by flight to escape us, for
vengeance is ours, and swifter than a hawk that strikes its quarry
shall we strike. Unwearying we pursue, nor are our swift feet and our
avenging arms made slow by pity. Woe! woe! to the shedder of innocent
blood, for nor peace nor rest is his until we have hurried his
tormented soul down to torture that shall endure everlastingly!"
As the listeners heard the dirge of doom, there were none who did not
think of Ibycus, the gentle-hearted poet, so much beloved and so
foully done to death, and in the tensity of the moment when the voices
ceased, a great thrill passed over the multitudes as a voice, shrill
with amazed horror, burst from one of the uppermost benches:
"_See there! see there! behold, comrade, the cranes of Ibycus!_"
Public-domain text, read in full here on John Shaqi.
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