The little parish church consists of nave and aisle of equal
length--one dedicated to S. Kentigern and the other to S. Asaph.
It lies at the bottom of the hill, and has a somewhat original
Perpendicular east window.
Not far from S. Asaph is Berain, the residence once of Catherine Tudor,
an heiress with royal blood in her veins, for she was descended from
Henry VII., who, when he was in Brittany collecting auxiliaries for his
descent on England to win the crown from Richard III., had an intrigue
with a Breton lady named Velville, and became the father of Sir Roland
Velville. Sir Roland’s daughter and heiress, Jane, married Tudor ab
Robert Vychan of Berain, and their only child was Catherine. She is
commonly spoken of as Mam Cymru, the Mother of Wales, as from her so
many of the Welsh families derive descent.
She was first married to John Salusbury of Lleweni, and by him became
the mother of Sir John Salusbury, who was born with two thumbs on
each hand, and was noted for his prodigious strength. At the funeral
of her husband, Sir Richard Clough gave her his arm. Outside the
churchyard stood Maurice Wynn of Gwydir, awaiting a decent opportunity
for proposing to her. As she issued from the gate he did this. “Very
sorry,” replied Catherine, “but I have just accepted Sir Richard
Clough. Should I survive him I will remember you.”
She did outlive Clough and married Wynn. She further survived Wynn, and
her fourth husband was Edward Thelwall of Plas-y-Ward. She died August
27th, and was buried at Llannefydd, September 1st, 1591, but without a
monument of any kind.
Popular tradition will have it that she had six husbands in succession,
and that as she tired of them she poured molten lead into their ears
when they slept, and so killed them. Her last husband, seeing that her
affection towards him was cooling, and fearing lest he should meet
with the same fate as her former husbands, shut her up in a room that
is still shown at Berain, and starved her to death. There are several
supposed portraits of Catherine to be found in Wales, but not all are
genuine. One by Lucas de Heere, painted in 1568, is in the possession
of Mr. R. J. Ll. Price of Rhiwlas, near Bala, and shows her to have
been a very beautiful woman with hard, dark eyes. Another genuine
portrait is at Wygfair, in the possession of Colonel Howard, and this
was taken when Catherine was an old woman. The remorseless stony eye is
that of one quite capable of the trick of the molten lead.
Public-domain text, read in full here on John Shaqi.
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