A Book of Operas: Their Histories, Their Plots, and Their MusicKrehbiel, Henry Edward
History
A Book of Operas: Their Histories, Their Plots, and Their Music
Krehbiel, Henry Edward
Operas -- Stories, plots, etc.
warns Samiel, and Caspar suggests that the seventh bullet be
directed to the heart of the bride; her death would drive both lover
and father to despair. But Samiel says that as yet he has no power
over the maiden; he will claim his victim on the morrow, Max or him
who is already his bondsman. Caspar prepares for the moulding. The
skull disappears, and in its place rises a small furnace in which
fagots are aglow. Ghostly birds, perched on the trees round about in
the unhallowed spot, fan the fire with their wings. Max appears on a
crag on one side of the glen and gazes down. The sights and sounds
below affright him; but he summons up his courage and descends part
way. Suddenly his steps are arrested by a vision of his dead mother,
who appears on the opposite side of the gulch and raises her hand
warningly. Caspar mutters a prayer for help to the fiend and bids
Max look again. Now the figure is that of Agathe, who seems about to
throw herself into the mountain torrent. The sight nerves him and he
hurries down. The moon enters into an eclipse, and Caspar begins his
infernal work after cautioning Max not to enter the circle nor utter
a word, no matter what he sees or who comes to join them. Into the
melting-pot Caspar now puts the ingredients of the charm: some lead,
bits of broken glass from a church window, a bit of mercury, three
bullets that have already hit their mark, the right eye of a
lapwing, the left of a lynx; then speaks the conjuration formula:--
Thou who roamst at midnight hour,
Samiel, Samiel, thy pow'r!
Spirit dread, be near this night
And complete the mystic rite.
By the shade of murderer's dead,
Do thou bless the charmed lead.
Seven the number we revere;
Samiel, Samiel, appear!
The contents of the ladle commence to hiss and burn with a greenish
flame; a cloud obscures the moon wholly, and the scene is lighted
only by the fire under the melting-pot, the owl's eyes, and the
phosphorescent glow of the decaying oaks. As he casts the bullets,
Caspar calls out their number, which the echoes repeat. Strange
phenomena accompany each moulding; night-birds come flying from the
dark woods and gather around the fire; a black boar crashes through
the bushes and rushes through the glen; a hurricane hurtles through
the trees, breaking their tops and scattering the sparks from the
furnace; four fiery wheels roll by; the Wild Hunt dashes through the
air; thunder, lightning, and hail fill the air, flames dart from the
earth, and meteors fall from the sky; at the last the Black Hunter
himself appears and grasps at Max's hand; the forester crosses
himself and falls to the earth, where Caspar already lies stretched
out unconscious. Samiel disappears, and the tempest abates. Max
raises himself convulsively and finds his companion still lying on
the ground face downward.
Public-domain text, read in full here on John Shaqi.
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