A Book of Operas: Their Histories, Their Plots, and Their MusicKrehbiel, Henry Edward
History
A Book of Operas: Their Histories, Their Plots, and Their Music
Krehbiel, Henry Edward
Operas -- Stories, plots, etc.
Faust
drinks a pledge to the vision, which fades away. In a twinkling the
life-weary sage is transformed into a young man, full of eager and
impatient strength.
Méphistophélès loses no time in launching Faust upon his career of
adventures. First, he leads him to a fair in a mediaeval town.
Students are there who sing the pleasures of drinking; soldiers,
too, bent on conquest--of maidens or fortresses, all's one to them;
old burghers, who find delight in creature comforts; maids and
matrons, flirtatious and envious. All join in the merriest of
musical hubbubs. Valentin, a soldier who is about to go to the
wars, commends his sister Marguerite to the care of Siebel,
a gentle youth who loves her. Wagner, a student, begins a song,
but is interrupted by Méphistophélès, who has entered the circle of
merry-makers with Faust, and who now volunteers to sing a better
song than the one just begun. He sings of the Calf of Gold ("Le veau
d'or est toujours debout"), and the crowd delightedly shouts the
refrain. The singer accepts a cup of wine, but, finding it not at
all to his taste, he causes vintages to the taste of every one to
flow from the cask which serves as a tavern sign. He offers the
company a toast, "To Marguerite!" and when Valentin attempts to
resent the insult to his sister with his sword, it breaks in his
hand as he tries to penetrate a magic circle which Méphistophélès
draws around himself. The men now suspect the true character of
their singular visitor, and turn the cruciform hilts of their swords
against him, to his intense discomfort. With the return of the
women the merrymaking is resumed. All join in a dance, tripping it
gayly to one waltz sung by the spectators and another which rises
simultaneously from the instruments. Marguerite crosses the
market-place on her way home from church. Faust offers her his arm,
but she declines his escort--not quite so rudely as Goethe's
Gretchen does in the corresponding situation. Faust becomes more
than ever enamoured of the maiden, whom he had seen in the vision
conjured up in the philosopher's study.
Public-domain text, read in full here on John Shaqi.
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