A long time passed; the silence grew ever more intense. At last Stephen lifted his head. He felt as tired as if he had gone a long journey since he entered the wooden building. Yet it was all exactly the same as when he had come in an hour before,--the rows of empty forms and the bare tables, with grass and flowers growing up between them. Stephen's eyes wandered out through the open door. He noticed a thick mug of earthenware lying beside the path outside, evidently left behind by the woodcutters as not worth taking with them. A common earthenware mug it was, of coarse material and ugly shape; and cracked. As Stephen's eyes fell upon it, he felt as if he hated that mug more than he had ever before hated anything in his life. It seemed to have been left behind there, on purpose to mock him. Here he was with only an earthenware mug in sight, he who might have been surrounded by the exquisite and delicate porcelain that he remembered in his father's factory at Limoges. All that beauty and luxury belonged to him by right; they might still have been his, if only he had not listened for years to the Voice. And now the Voice had led him on this fool's errand. Here he was, preaching to nobody, and looking at a cracked mug. Was his whole life a mistake? a delusion? 'Am I a fool after all?' he asked himself bitterly. He was in the sad, bitter mood that is called 'Reaction.' Strangely enough, it often seizes people just when they have done some particularly difficult piece of work for their Master. Perhaps it comes to keep them from thinking that they can finish anything in their own strength alone.