At another time he was lodging in the same house as a young American actor, called in the French accounts of the incident "Sir Stout." To "Sir Stout" Eyraud would appear to have given a most convincing performance of the betrayed husband; his wife, he said, had deserted him for another man; he raved and stormed audibly in his bedroom, deploring his fate and vowing vengeance. These noisy representations so impressed "Sir Stout" that, on the outraged husband declaring himself to be a Mexican for the moment without funds, the benevolent comedian lent him eighty dollars, which, it is almost needless to add, he never saw again. In narrating this incident to the French detectives, "Sir Stout" describes Eyraud's performance as great, surpassing even those of Coquelin. Similar stories of theft and debauchery met the detectives at every turn, but, helped in a great measure by the publicity the American newspapers gave to the movements of his pursuers, Eyraud was able to elude them, and in March they returned to France to concert further plans for his capture. Eyraud had gone to Mexico. From there he had written a letter to M. Rochefort's newspaper, L'Intransigeant, in which he declared Gouffe to have been murdered by Gabrielle and an unknown. But, when official inquiries were made in Mexico as to his whereabouts, the bird had flown. At Havana, in Cuba, there lived a French dressmaker and clothes-merchant named Puchen. In the month of February a stranger, ragged and unkempt, but evidently a fellow-countryman, visited her shop and offered to sell her a superb Turkish costume. The contrast between the wretchedness of the vendor and the magnificence of his wares struck Madame Puchen at the time. But her surprise was converted into suspicion when she read in the American newspapers a description of the Turkish garment stolen by Michel Eyraud, the reputed assassin of the bailiff Gouffe. It was one morning in the middle of May that Mme. Puchen read the description of the robe that had been offered her in February by her strange visitor. To her astonishment, about two o'clock the same afternoon, she saw the stranger standing before her door. She beckoned to him, and asked him if he still had his Turkish robe with him; he seemed confused, and said that he had sold it. The conversation drifted on to ordinary topics; the stranger described some of his recent adventures in Mexico. "Oh!" exclaimed the dressmaker, "they say Eyraud, the murderer, is in Mexico! Did you come across him? Were you in Paris at the time of the murder?" The stranger answered in the negative, but his face betrayed his uneasiness. "Do you know you're rather like him?" said the woman, in a half-joking way. The stranger laughed, and shortly after went out, saying he would return. He did return on May 15, bringing with him a number of the Republique Illustree that contained an almost unrecognisable portrait of Eyraud. He said he had picked it up in a cafe.