Their conduct with women is sufficient index of their character. Jack Rann was too general a lover for fidelity. But he was amiable, even in his unfaithfulness; he won the undying affection of his Ellen; he never stood in the dock without a nosegay tied up by fair and nimble fingers; he was attended to Tyburn by a bevy of distinguished admirers. Gilderoy, on the other hand, approached women in a spirit of violence. His Sadic temper drove him to kill those whom he affected to love. And his cruelty was amply repaid. While Ellen Roach perjured herself to save the lover, to whose memory she professed a lifelong loyalty, it was Peg Cunningham who wreaked her vengeance in the betrayal of Gilderoy. He remained true to his character, when he ripped up the belly of his betrayer. This was the closing act of his life. Rann, also, was consistent, even to the gallows. The night before his death he entertained seven women at supper, and outlaughed them all. The contrast is not so violent as it appears. The one act is melodrama, the other farce. And what is farce, but melodrama in a happier shape? THOMAS PURENEY THOMAS PURENEY, Archbishop among Ordinaries, lived and preached in the heyday of Newgate. His was the good fortune to witness Sheppard's encounter with the topsman, and to shrive the battered soul of Jonathan Wild. Nor did he fall one inch below his opportunity. Designed by Providence to administer a final consolation to the evil-doer, he permitted no false ambition to distract his talent. As some men are born for the gallows, so he was born to thump the cushion of a prison pulpit; and his peculiar aptitude was revealed to him before he had time to spend his strength in mistaken endeavour.