A Book of the Play: Studies and Illustrations of Histrionic Story, Life, and CharacterCook, Dutton
History
A Book of the Play: Studies and Illustrations of Histrionic Story, Life, and Character
Cook, Dutton
Theater -- Great Britain -- History
It is a popular notion that, although all persons may not be endowed
with histrionic gifts, it is open to everybody to perform the duties
of a prompter without preparation or study. Still the office requires
some exercise of care and judgment. "Here's a nice mess you've got me
into," said once a tragedian, imperfect in his text, to an
inexperienced or incautious prompter. "What am I to do now? Thanks to
you, I've been and spoken all the next act!" And the prompter has a
task of serious difficulty before him when the actors are but
distantly acquainted with their parts, or "shy of the syls," that is,
syllables, as they prefer to describe their condition. "Where have
they got to now?" he has sometimes to ask himself, when he finds them
making havoc of their speeches, missing their cues, and leading him a
sort of steeple-chase through the book of the play. It is the golden
rule of the player who is "stuck"--at a loss for words--to "come to
Hecuba," or pass to some portion of his duty which he happens to bear
in recollection. "What's the use of bothering about a handful of
words?" demanded a veteran stroller. "I never stick. I always say
something and get on, and no one has hissed me yet!" It was probably
this performer, who, during his impersonation of Macbeth, finding
himself at a loss as to the text soon after the commencement of his
second scene with Lady Macbeth, coolly observed: "Let us retire,
dearest chuck, and con this matter over in a more sequestered spot,
far from the busy haunts of men. Here the walls and doors are spies,
and our every word is echoed far and near. Come, then, let's away!
False heart must hide, you know, what false heart dare not show." A
prompter could be of little service to a gentleman so fertile in
resources. He may be left to pair off with that provincial Montano who
modernised his speech in reference to Cassio:
And 'tis great pity that the noble Moor
Should hazard such a place as his own second
With one of an ingraft infirmity.
It were an honest action to say
So to the Moor--
into "It's a pity, don't you think, that Othello should place such a
man in such an office. Hadn't we better tell him so, sir?"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account