A Book of the Play: Studies and Illustrations of Histrionic Story, Life, and CharacterCook, Dutton
History
A Book of the Play: Studies and Illustrations of Histrionic Story, Life, and Character
Cook, Dutton
Theater -- Great Britain -- History
The plan, however, was not carried into effect without considerable
difficulty. Mr. Harris, the manager, ordered a night rehearsal of the
play, so that the author might judge of the success of the effects
introduced. The spectre was to be personated by one Thompson, a portly
jovial actor, whose views as to the treatment of the supernatural upon
the stage were of a very primitive kind. He appeared upon the scene
clad in the conventional solid armour of the theatre, with over all a
gray gauze veil, as stiff as buckram, thrown about him. Mr. Boaden
describes his horror and astonishment at the misconception. It had
been intended that the gauze, stretched on a frame, should cover a
portal of the scene, and that the figure of the spectre should be seen
dimly through it. But even then the contour of Thompson was found very
inappropriate to a phantom. It was necessary to select for the part an
actor of a slighter and taller form. At length a representative of the
ghost was found in the person of Follet, the clown, "celebrated for
his eating of carrots in the pantomimes." Follet readily accepted the
part: his height was heroic, he was a skilled posture-maker, he was
well versed in the duties of a mime. Still there was a further
difficulty. The ghost had to speak--only two words, it is true--he had
to utter the words "Perished here!" and, as the clown very frankly
admitted: "'Perished here' will be exactly the fate of the author if
I'm left to say it." The gallery would recognise the clown's voice,
and all seriousness would be over for the evening. It was like the ass
in the lion's skin--he would bray, and all would be betrayed. At last
it was determined that the part should be divided; Follet should
perform the actions of the ghost, while Thompson, in the wings, out of
the sight of the audience, should pronounce the important words. The
success of the experiment was signal. Follet, in a closely-fitting
suit of dark-gray stuff, made in the shape of armour, faintly visible
through the sheet of gauze, flitted across the stage like a shadow,
amidst the breathless silence of the house, to be followed presently,
on the falling of the curtain, by peal after peal of excited applause.
Public-domain text, read in full here on John Shaqi.
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