A Book of the Play: Studies and Illustrations of Histrionic Story, Life, and CharacterCook, Dutton
History
A Book of the Play: Studies and Illustrations of Histrionic Story, Life, and Character
Cook, Dutton
Theater -- Great Britain -- History
Mr. Thackeray has described a memorable performance at the Theatre
Royal, Chatteries. Arthur Pendennis and his young friend Harry Foker
were among the audience; Lieutenants Rodgers and Podgers, and Cornet
Tidmus, of the Dragoons, occupied a private box. The play was "The
Stranger." Bingley, the manager, appeared as the hero of the sombre
work; Mrs. Haller was impersonated by Miss Fotheringay. "I think ye'll
like Miss Fotheringay in Mrs. Haller, or me name's not Jack Costigan,"
observed the father of the actress. Bingley, we are told, was great in
the character of the Stranger, and wore the tight pantaloons and
Hessian boots which stage tradition has duly prescribed as the costume
of that doleful personage. "Can't stand you in tights and Hessians,
Bingley," young Mr. Foker had previously remarked. He had the stage
jewellery on too, selecting "the largest and most shining rings for
himself," and allowing his little finger to quiver out of his cloak,
with a sham diamond ring covering the first joint of the finger, and
twiddling it in the faces of the pit. It is told of him that he made
it a favour to the young men of his company to go on in light-comedy
parts with that ring. They flattered him by asking its history. "It
had belonged to George Frederick Cooke, who had had it from Mr. Quin,
who may have bought it for a shilling." But Bingley fancied the world
was fascinated by its glitter.
And he read out of that stage-book--the genuine and old-established
"book of the play"--that wonderful volume, "which is not bound like
any other book in the world, but is rouged and tawdry like the hero or
heroine who holds it; and who holds it as people never do hold books:
and points with his finger to a passage, and wags his head ominously
at the audience, and then lifts up eyes and finger to the ceiling,
professing to derive some intense consolation from the work between
which and heaven there is a strong affinity. Any one," proceeds the
author of "Pendennis," "who has ever seen one of our great light
comedians X., in a chintz dressing-gown, such as nobody ever wore, and
representing himself as a young nobleman in his apartments, and
whiling away the time with light literature, until his friend Sir
Harry shall arrive, or his father shall come down to breakfast--anybody,
I say, who has seen the great X. over a sham book, has indeed had
a great pleasure, and an abiding matter for thought."
Public-domain text, read in full here on John Shaqi.
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