In the year 1763 there occurred another disturbance. An adaptation of Shakespeare's "Two Gentlemen of Verona," by Mr. Benjamin Victor, had been produced at Drury Lane Theatre. It was played five nights with success, but, on the sixth, when, according to the old theatrical custom, the receipts went to the author of the adaptation, the performance was interrupted. "A set of young men," writes Mr. Victor, "who called themselves 'The Town,' had consulted together and determined to compel the manager to admit them at the end of the third act at half-price to every performance except in the run of a new pantomime; and they chose to make that demand on the sixth night of 'The Two Gentlemen of Verona,' though it was printed on the playbills 'for the benefit of the author of the alterations.'" The performance of the play was actually forbidden. One Mr. Fitzpatrick, who was the avowed ringleader of the reformers, harangued the audience from the boxes, and set forth in very warm language the impositions of the managers, vehemently pleading the right of the public to fix the price of their bill of fare. Garrick came forward to address the house, but was received with a storm of disapprobation, and refused a hearing. The uproar continued; the benches were torn up, and the lustres and girandoles broken. Ultimately, the money taken at the doors was returned to the audience, and the theatre cleared. On the following night, Mr. Mallet's tragedy of "Elvira" was played for the first time. The disturbance was renewed, and Mr. Garrick was called for. He was asked peremptorily: "Will you or will you not give admittance for half-price after the third act of a play, except during the first winter a pantomime is performed?" The manager, dreading a repetition of the riot of the preceding evening, replied in the affirmative. A demand was then made for an apology from Moody the actor, who had interfered to prevent the theatre being fired. Moody appeared, and, after an Irish fashion, expressed regret that he had displeased the audience "by saving their lives in putting out the fire." This pleasantry was very ill received. Mr. Fitzpatrick's party insisted that the actor should go down on his knees and implore their pardon. Moody refused with an oath, and abruptly quitted the stage. He was received with open arms by Garrick in the wings, who assured him he should not suffer for his spirited conduct. But the tumult in the theatre became so great, that the manager was compelled to promise that Moody should not appear on the stage while he was under the displeasure of the public. A reconciliation was some time afterwards brought about between the actor and his audience. It may be noted that in 1763, according to a manuscript memorandum in his own hand (discovered by Mr. Parkes), Sir Phillip Francis, the supposed "Junius," commenced to write anonymously for the Press, the occasion being "a row in a theatre, to help Fitzpatrick out of the scrape."