Apparently the royal decree was not very implicitly obeyed by the playgoers. At any rate we find, under date January 7th, 1668, the following entry in Mr. Pepys's "Diary" bearing upon the matter: "To the Nursery, but the house did not act to-day; and so I to the other two playhouses, into the pit to gaze up and down, and there did by this means for nothing see an act in the 'School of Compliments,' at the Duke of York's house, and 'Henry IV.' at the King's House; but not liking either of the plays, I took my coach again and home." At the trial of Lord Mohun, in 1692, for the murder of Mountford, the actor, John Rogers, one of the doorkeepers of the theatre, deposes that he applied to his lordship and to Captain Hill, his companion, "for the overplus of money for coming in, because they came out of the pit upon the stage. They would not give it. Lord Mohun said if I brought any of our masters he would slit their noses." It was the fashion for patrons of the stage at this time to treat its professors with great scorn, and often to view them with a kind of vindictive jealousy, "I see the gallants do begin to be tired with the vanity and pride of the theatre actors, who are indeed grown very proud and rich," noted Pepys, in 1661. In the second year of her reign, Queen Anne issued a decree "for the better regulation of the theatres," the drama being at this period the frequent subject of royal interference, and strictly commanded that "no person of what quality soever should presume to go behind the scenes, or come upon the stage, either before or during the acting of any play; that no woman should be allowed, or presume to wear, a vizard mask in either of the theatres; and that no person should come into either house without paying the price established for their respective places."