A Book of the Play: Studies and Illustrations of Histrionic Story, Life, and CharacterCook, Dutton
History
A Book of the Play: Studies and Illustrations of Histrionic Story, Life, and Character
Cook, Dutton
Theater -- Great Britain -- History
The use of candles involved the employment of candle-snuffers, who
came on at certain pauses in the performance to tend and rectify the
lighting of the stage. Goldsmith's Strolling Player narrates how he
commenced his theatrical career in this humble capacity: "I snuffed
the candles; and let me tell you, that without a candle-snuffer the
piece would lose half its embellishment." The illness of one of the
actors necessitated the pressing of the candle-snuffer into the
company of players. "I learnt my part," he continues, "with
astonishing rapidity, and bade adieu to snuffing candles ever after. I
found that nature had designed me for more noble employment, and I was
resolved to take her when in the humour." But the duties of a
candle-snuffer, if not very honourable, were somewhat arduous. It was
the custom of the audience, especially among those frequenting the
galleries, to regard him as a butt, with whom to amuse themselves
during the pauses between the acts. Something of this habit is yet
extant. Even nowadays the appearance of a servant on the stage for the
necessary purposes of the performance--to carry chairs on or off, to
spread or remove a carpet, &c.--is frequently the signal for cries of
derision from the gallery. Of old the audience proceeded to greater
extremities--even to hurling missiles of various kinds at the
unfortunate candle-snuffer. In Foote's comedy of "The Minor," Shift,
one of the characters, describes the changing scenes of his life. From
a linkboy outside a travelling theatre he was promoted to employment
within. "I did the honours of the barn," he says, "by sweeping the
stage and clipping the candles. Here my skill and address were so
conspicuous that it procured me the same office the ensuing winter, at
Drury Lane, where I acquired intrepidity, the crown of all my
virtues.... For I think, sir, he that dares stand the shot of the
gallery, in lighting, snuffing, and sweeping, the first night of a new
play, may bid defiance to the pillory with all its customary
compliments.... But an unlucky crab-apple applied to my right eye by a
patriot gingerbread baker from the Borough, who would not suffer
three dancers from Switzerland because he hated the French, forced me
to a precipitate retreat."
Public-domain text, read in full here on John Shaqi.
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